In this podcast Sian talks about the art project We Don't Have To Be The Building which focuses on lesbian, bi-sexual, queer female-bodied, trans*, mana wahine, takataapui and female-identified activists of both 30 years ago during Homosexual Law Reform, and now in our contemporary world.
Summary
Sian Torrington highlights the art projects diverse research methodologies, including both archival work and what is termed as "embodied research," involving conversations, interviews, and collaborative drawings. In particular, the podcast touches on research conducted in the Lesbian and Gay Archives of New Zealand (LAGANZ) and its contemporary counterparts in activism. The aim is to uncover and give voice to a variety of perspectives and experiences, highlighting the struggles and progress made within the realm of sexual rights and human rights.
The project culminates in a public art display on Courtenay Place, where Torrington's artworks will be presented in light boxes, functioning much like billboards but dedicated to art. These light boxes will be on view for a few months, allowing the public to engage with the content freely, without the constraints of gallery spaces.
Torrington articulates personal struggles with self-expression and societal expectations, reflecting on the pervasive influence of patriarchy and the path to self-acceptance. The interviewee also discusses historical perspectives, including the activism preceding the peak of Homosexual Law Reform, and the connection between various movements advocating for rights and recognition.
The conversation delves into an examination of the harmony and discord within activist communities—how solidarity can be affected by issues such as privilege, and the importance of recognizing diversity within unity. Additionally, Torrington opens up about personal approaches to art-making, emphasizing consent and collaboration in portraying sensitive and personal stories while acknowledging the delicate balance of public and private narratives in their artworks.
The podcast further brings into light present-day activism in New Zealand, citing the actions of groups like "No Pride In Prisons" (now People Against Prisons Aotearoa) and discussing the significance of contemporary queer activism, which intertwines various societal issues such as racism, sexism, and socialism.
Torrington expresses deep commitment to developing a multifaceted representation of queer activism and history. The project is envisioned as an assemblage of both past and contemporary voices to create a layered and interconnected narrative that includes quotes, diary entries, interviews, and other forms of recorded experiences, melding to form a comprehensive understanding of the shifting landscape of activism over the decades.
The summary also notes the collaborative nature of the project, which includes interviews and partnerships with various individuals contributing to the overall creative endeavor. Supporting the artist's work is a team of collaborators, among them a friend and mentor, Hinemoana Baker, who provides guidance and insight through the journey, pointing to a notion of shared authorship and engagement with community as a key element of the work.
This summary is created using Generative AI. Although it is based on the recording's transcription, it may contain errors or omissions. Click here to learn more about how this summary was created.
Voices
Tags
1970s, 1980s, 2010s, activism, aotearoa new zealand, arts, assemblage, auckland pride festival, berlin, big gay out (auckland), biphobia, bisexual, black women's movement, boosted, bravery, butch, celebration, clothing, collaboration, coming out, commodification, connect, connections, consciousness raising, consent, cottaging, council, courtenay place, culture, dildo, diversity, drawing, drawing it out, dyke news, elizabeth kerekere, embodied research, experimental, femme, fun, funding, fundraising, gay, germany, glastonbury festival, hair, hate, hinemoana baker, homophobia, homosexual law reform, hui, human rights, humour, immigration, interviewing, intimacy, invisibility, john key, kassie hartendorp, kaupapa, laughter, law, lesbian, lesbian and gay archives of new zealand (laganz), lesbian feminism, let's talk about sex (hui), life drawing, listening, marriage equality, minsk, mobilisation, nathaniel gordon-stables, oral history, passion, passive, patriarchal system, people against prisons aotearoa (formerly known as no pride in prisons), pride, pride parade (auckland), pridenz.com, privilege, protest, public spaces, queer, racism, reflection, research, sasha hartmann-hughes, sex, sex toys, sexism, sexual orientation, sexual rights, sexuality, shame, sian torrington, silence, socialism, solidarity, steven joyce, support, tash helasdottir-cole, tiriti o waitangi / treaty of waitangi, trans, transgender, truth, united kingdom, university, video, visibility, visual arts, we don't have to be the building (2016), wellington, wellington city council, whakapapa, wisdom, women
Tags (computer generated)
activities, ancestors, archives, artist, auckland, audience, balance, barriers, billboards, boxes, building, bullying, community, conversation, creek, drag, drag queen, energy, equality, facilitator, family, feelings, friends, gallery, gaming, growing up, hawaii, history, homosexual, homosexual law reform, hope, identity, injustice, intern, job, journey, justice, liberation, love, marriage, marriage equality, mentor, narrative, normal, other, parade, people, pride parade, proposal, queen, rainbow, reading, running, sad, scene, space, stables, straight, struggle, stuff, survival, time, tourism, trans woman, treaty, values, walking, weaving, women's movement, work, writing, youth