Douglas Wright talks to Bryan Crump about his life.
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Summary
In this interview, Douglas Wright, a renowned New Zealand choreographer and dancer, talks to Bryan Crump about their journey in the world of dance, reflecting on influences, creations, and the trials faced throughout their career. Wright discusses the premiere of their latest work, "Rapt," which is set to be presented at the Auckland Festival. The work encapsulates themes of rapture, ecstasy, and mythological figures such as a half-bird, half-human entity, drawing on ancient cultural representations of avian-human hybrids.
Wright shares an early memory that ignited their passion for dance, recalling a mysterious dancing figure that has stayed with them over the years. The conversation then delves into the creative process behind "Rapt," including the choice of music, which uniquely blends the compositions of 17th-century composer Heinrich Biber and contemporary musician David Long. The choreographer explains how ideas take shape, often starting from a vision that occurs while listening to music or during moments of quiet reflection. This creative vision is sometimes aided by watching dancers’ improvisations, out of which Wright selects and refines movements to include in their work.
In discussing the recording and preservation of dance, Wright notes the use of video technology as a crucial tool, contrasting it with the laborious traditional notation methods. They recount their decision to retire from dancing in 2000 and later as a choreographer in 2007—a declaration that was largely overlooked, prompting a return to choreography when explicitly encouraged to do so.
Wright touches on the difficulties of pursuing a career in dance within New Zealand due to limited opportunities and the country's geographical isolation but praises the unique, fearless qualities of New Zealand dancers. Revealing a personal struggle with HIV, Wright discusses the impact of the diagnosis on their life and work, expressing a deep connection to New Zealand's land and the significant influence of global culture on their creative outlook.
Additionally, Wright shares thoughts on directing opera, stating that while dancers contribute to the kinetic energy of an opera, singers have different considerations given their focus on vocal performance. Wright also reflects on a newly finished book of poems, revealing intersections between their literary and choreographic work.
The interview showcases Wright's extensive career that spans choreography and literature. Despite announcing retirement, their passion for dance remains undeterred, evident in the continuous development of new works and engagement with the artistic community. Wright's contributions position them as a critical figure in both New Zealand’s cultural landscape and the international dance scene.
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