Steve Farrow

In this podcast interview, Steve Farrow shares their experience working behind the scenes as one of the stage managers for the Queen of the Whole Universe beauty pageant, a large-scale drag performance event in Auckland. The podcast captures conversations from June 10, 2012, where Farrow is interviewed by Gareth Watkins.

Farrow's journey with the pageant began by accompanying their partner at the time who was a performer in the show. Initially attending rehearsals as a supportive onlooker, Farrow became more actively involved, starting with a small task of babysitting a contestant's dog that was incorporated into the act. Farrow had no prior substantial stage management experience, their only stage experience being a childhood school performance.

Despite initial nerves from being in a new environment and still settling into their recently embraced LGBTQ+ identity, Farrow found comfort and acceptance within the community through the rehearsal process. The role allowed them to gain confidence and become more involved, gradually moving from helping out behind the scenes to taking on more responsibilities.

Farrow speaks candidly about the challenges of backstage work, including handling last-minute problems, the tension and excitement on show day, and managing relationships with performers. They describe how their role evolved from doing minor tasks for the masculine-presenting performers to becoming the stage manager, directing cast members and ensuring the smooth running of the show. The role required attention to detail, quick thinking to handle unpredictable situations, and a little extra effort, such as purchasing necessary items like double-sided tape and safety pins.

Success as a stage manager, according to Farrow, hinges on understanding and having the trust of the performers while providing support and encouragement. They recount an incident where they had to unexpectedly step in as a performer, their experience transport performing gear to Wellington, and the adaptation to different theatre spaces.

Farrow highlights that there is no room for biases or sabotages; instead, it is about giving each contestant the opportunity to shine. The pageant involves a significant level of coordination with the technical staff at various venues, which requires mutual respect and clear communication.

Farrow also muses on the emotional aspects of showbusiness—the adrenaline, stress, and satisfaction of fulfilling their role. Despite the high-pressure environment, Farrow cherishes being part of something that offers an inclusive space for the LGBTQ+ community and promotes acceptance and celebration of diversity through the arts.

The podcast concludes with Farrow anticipating the upcoming final show, which promises to be spectacular, underscoring once again the deep personal significance and emotional connection Farrow has with the Queen of the Whole Universe beauty pageant.

This summary is created using Generative AI. Although it is based on the recording's transcription, it may contain errors or omissions. Click here to learn more about how this summary was created.

Steve Farrow

2010s, aotearoa new zealand, arts, auckland, performance, queen of the whole universe, steve farrow, theatre

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