Michael Sanders

In an illuminating interview recorded on April 22, 2012, in Auckland, Aotearoa New Zealand, Michael Sanders delved into their role as a choreographer for the "Queen of the Whole Universe" beauty pageant. During the interview with Gareth Watkins, Sanders reflected on the decade of experience they had in this unique pageant format, starting with their engagement through a recommendation while they were choreographing Miss World New Zealand.

Sanders outlined the challenging task of choreographing participants with varying levels of dance experience, emphasizing the strategy of catering to the least experienced dancer to ensure inclusivity. As a choreographer, the responsibilities encompass the movement and placement of participants on stage, as well as the overall aesthetic, in collaboration with the director's vision.

A striking difference was noted between the 'Queen of the Whole Universe' pageant and Miss World New Zealand: the former's comedic and fun nature allowed for more creative liberties, while the latter maintained a serious competitive atmosphere. The pageant offered time for rehearsals and fine-tuning performances, cultivating an environment suitable for participants of all backgrounds and abilities.

Sanders reminisced about the first show and the opening number "I Am What I Am," describing it as a personal anthem and a defining moment in their career. They shared insights into the rehearsal process, revealing the necessity of adaptability and patience, particularly when working with a diverse group of participants.

When transitioning from rehearsals to the theatre, Sanders outlined an often seamless process, though adjustments for spacing and technical cues were crucial. While emphasizing the importance of everyone being seen and included, they also recognized the limitations that age may bring to the dance routines.

Their relationship with Jonathan, the pageant director, was described as collaborative and good-natured, highlighting a shared understanding and mutual respect for each other's roles. As the conversation steered to Sanders' experiences as a contestant, they detailed the distinct differences between choreographing and participating as one of the pageant contestants, conveying the memorable experience of transforming into an on-stage persona.

Finally, Sanders expressed both nostalgia and pride in their involvement with the pageant over the years. Acknowledging the positive impact of the event on themselves and the community, they reflected on the impending conclusion of the pageant and the significance of ending on a high note after a decade of success.

The recording captures an era in Auckland's cultural and drag performance history, documenting the evolution of a unique event that merged entertainment with community spirit and inclusivity, as seen through the eyes of a seasoned choreographer. It encapsulates Sanders' journey, challenges, and the personal growth that accompanied orchestrating such a joyous and communal spectacle.

This summary is created using Generative AI. Although it is based on the recording's transcription, it may contain errors or omissions. Click here to learn more about how this summary was created.

Michael Sanders

2000s, aotearoa new zealand, auckland, drag, michael sanders, performance, queen of the whole universe, theatre

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