In this podcast Evan talks about performing in the Queen of the Whole Universe beauty pageant.
Summary
In this podcast interview hosted by Gareth Watkins, Evan Donnelly shares experiences of participating in the "Queen of the Whole Universe" beauty pageant, a notable drag performance event. Donnelly recalls the early days, initially being intrigued by the event when it was still known as Queen of the whole Pacific after moving to Auckland. Their entry into the world of drag and pageantry began when a camping trip with friends led to the collective decision to sign up for the show.
The interview delves into Donnelly's lack of prior performance experience, apart from high school plays, and their limited exposure to drag, highlighting the inclusive nature of the pageant which accommodates various skill levels. Donnelly speaks candidly about the challenges, from shopping for dresses to learning sewing skills to the transformative process of putting on makeup and adopting a drag persona.
The conversation covers the technicalities of creating a pageant outfit, including choosing the right fabric that shines under stage lights, securing sturdy and fitting footwear designed for broader feet, which is particularly challenging in drag, and the critical input of well-meaning assistants at familiar stores. Donnelly recounts learning sewing at school and being influenced by a family of sewers—how this background unexpectedly became relevant in creating stage costumes.
Donnelly emphasizes the camaraderie of the pageant, the value of simplicity, particularly for newcomers, and the intensive rehearsal process that leads to seamless performances during the actual event. The interview sheds light on the preparation, support, and advice exchanged amongst participants, underscored by a spirit of collaboration.
As the conversation progresses, Donnelly details the exhaustive preparations, including the balancing act with their small business and the financial investment involved in participating. Despite the stress and costs, the allure of performance, community spirit, and the show’s purpose continue to draw Donnelly back.
Reflecting on the pageant's eventual conclusion, Donnelly muses on the bittersweet feeling of participating in the final performance, highlighting the progression of the event's scale and quality over time. The poignant sentiment of storing away costumes and memories encapsulates the rich, multifaceted journey the pageant has provided.
Donnelly's uncertainty about their final role in the upcoming pageant attests to the creative challenge that each participant faces. The interview concludes with a sense of anticipation for what the next performance might bring, the legacy of the event, and the profound impact it has had on Donnelly's life.
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