Alison Bell-Allen

This abstract summarizes a 41-minute interview with Alison Bell-Allen, recorded in Auckland, Aotearoa New Zealand. During the interview, Bell-Allen discusses the role and experiences of being involved as a stage manager in the Queen of the Whole Universe beauty pageant, an event celebrating self-expression among its participants, and free from pretense. Bell-Allen emphasizes the importance of being true to oneself and the joy found in working with a diverse group of people who embrace their own individualities.

Bell-Allen describes the roles and responsibilities associated with stage managing, which include calling the show, attending rehearsals to familiarize oneself with the music and sequence of events, and ensuring the cues for lighting, sound, and other technical aspects are executed perfectly. Also explained is how Bell-Allen applies a unique personal system using colored pens for marking scripts to stay organized during the live show, underscoring the precision and focus required for this role.

The interview sheds light on how Bell-Allen became involved with Queen of the Whole Universe at the request of the event center where they worked. Despite initial reluctance to perform, Bell-Allen found a niche backstage, where their skill set was put to good use. The interview reveals how Bell-Allen drew upon previous experience as a stage manager at various venues and events, utilizing quick learning and a passion for stage managing to deliver flawless productions.

Throughout the interview, Bell-Allen recounts anecdotes explaining the complex logistics of large-scale stage management, the challenges of working with performers inexperienced in theater protocols, and the importance of maintaining a stern yet joyful demeanor during rehearsals and performances. They discuss the necessity of patiently guiding performers through the etiquette of theater and backstage processes, emphasizing that a successful show relies on seamless cooperation among the entire team. Bell-Allen underscores the importance of integrating enjoyment into their work despite the high-pressure environment.

Furthermore, the interview touches on the topic of safe sex in the context of raising awareness for diseases such as gonorrhea and syphilis. Bell-Allen voices strong opinions on the critical need for safe sex practices, including the use of condoms, to prevent the spread of diseases and the societal consequences of neglecting such practices.

In closing, Bell-Allen speaks of the ritual of participating in the cleanup after a show, a personal decompression method that allows transition from the heightened energy of performance back to normalcy. Moreover, the discussion includes reflections on the close of the Queen of the Whole Universe beauty pageant, considering it as a natural culmination of the event after a successful run. Overall, the interview provides a candid and comprehensive insight into the life and responsibilities of a stage manager while spotlighting the personal fulfillment found in the art of live theater.

This summary is created using Generative AI. Although it is based on the recording's transcription, it may contain errors or omissions. Click here to learn more about how this summary was created.

Alison Bell-Allen

2010s, alison bell-allen, auckland, drag, gay auckland business association (gaba), performance, queen of the whole universe, straight, theatre

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