Better Than The Real Thing (Press, 1 November 1989)

On 1 November 1989, Jane Dunbar reported on the unexpected enthusiasm surrounding the play "Ladies' Night" at the James Hay Theatre in Christchurch. The audience, typically characterised as conservative, was drawn in by the comedic and provocative nature of the production, which features a cast of Kiwi men engaging in strip-tease dancing. The theatre was filled with a blend of elegant patrons and office workers, many of whom appeared initially hesitant about attending a performance centered around such risqué material. The play, which runs for three hours, quickly transformed the audience from a quiet group into one that's actively engaged, laughing, cheering, and applauding throughout. John Farnsworth from "The Press" described "Ladies' Night" as a rare and professionally produced New Zealand script that highlights Kiwi culture, particularly men’s attitudes toward sexuality. The production cleverly satirises male behaviour, offering perspectives on the complexities of gender relations, which many in the audience found both relatable and enlightening. Dr Ken Harris, a drama lecturer from the University of Canterbury, praised the play for its critical yet humorous exploration of New Zealand society, suggesting that it provides more insightful commentary than many films and theatre pieces. He noted that the work addresses sexual repression with a progressive angle, including a portrayal of friendships with a drag queen, an element surprisingly absent in many mainstream narratives considering New Zealand's societal views on homosexuality. Despite the feminist implications of the play's satire, Dr Harris acknowledged the limited roles for women, highlighting an irony where the male performers maintain a assertive presence despite being objectified. The anticipation built throughout the performance, culminating in a grand finale that featured vibrant choreography and high-energy striptease routines, surprised many attendees including those sceptical about the concept of a male strip show. Audience members reported enjoying themselves immensely, with one businessman noting he hadn't laughed so much in years. As the characters in the play engage in humorous attempts to understand and fulfil female fantasies, they are ultimately guided by a seasoned tease-dancer named Glenda. Her insights not only help them become better entertainers but also illustrate the comedic dynamics of gender and eroticism. The show has demonstrated commercial success, with over 36,600 tickets sold and more than 120 performances since its debut in June. Despite physical demands on the cast, with reports of injuries during the tour, the performers are committed to delivering a top-quality experience free from sleaze, focusing instead on entertainment and artistry. Audience reactions ranged from laughter to enthusiastic applause, often crossing generational and social lines, which contributed to the play's unique charm. The final notes from the night conveyed that "Ladies' Night" transcended typical male strip shows, offering a refreshing mix of humour, social commentary, and skilled performance, leaving many keen to return for more.

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