Almodovar Presents Another Liberal Film (Press, 11 September 1989)

On 11 September 1989, a review of Pedro Almodovar's film "Law of Desire" was published, highlighting the significant cultural shift in Spain following the end of Franco's dictatorship. The film, described as a homoerotic black comedy, illustrates the newfound freedom in sexual attitudes and artistic expression that emerged in the democratic era. The review notes that such films could not have been produced during Franco's regime, marking a stark contrast to the current liberal environment. Almodovar is likened to notable international directors such as Jean Cocteau and Rainer Werner Fassbinder, all of whom share a knack for merging the fantastic with the ordinary while maintaining a deep understanding of human nature. The review also mentions Luis Bunuel, whose works challenged societal norms, akin to Almodovar’s approach. In "Law of Desire," Almodovar presents a complex narrative revolving around a triangle of male lovers and a female character, Tina, who was born male but transitioned to meet her father's expectations. This shocking revelation comes unexpectedly, reflecting the film's provocative nature. The film opens with a young man engaging in a provocative act, only to reveal that it is a scene within the film, showcasing Almodovar's playful trickery with audience expectations. The main character, Pablo, is depicted as a filmmaker oblivious to the implications of AIDS, adding a serious undertone to the otherwise comedic narrative. The intertwining of Pablo and Tina's stories creates a layered plot that shifts dramatically when a murder investigation unfolds. The reviewer posits that "Law of Desire" challenges viewers to embrace its chaotic storytelling, suggesting that failing to take the film too seriously can lead to a captivating experience. Previously, Almodovar's films had limited exposure in New Zealand. However, his earlier work "Matador" was screened for a brief time, and "Women on the Verge of a Nervous Breakdown" was better received during a recent film festival. His international reputation has grown, and it is clear that his films are now regarded as significant contributions to cinema rather than merely the erotic fantasies of a single-genre director. The review encourages audiences to view Almodovar's work as insightful explorations of human emotions and absurdities, deserving of serious attention.

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