An Aroma Of Mothballs (Press, 15 April 1989)

"The Lost Language of Cranes," published in 1988 by David Leavitt, is a novel that explores the complexities of homosexual relationships and family dynamics. The review by Ralf Unger, published on 15 April 1989, notes that the book attempts to navigate a challenging societal landscape where the homosexual community is striving for greater acceptance. However, Unger finds the narrative uncomfortable and lacking in vibrancy. The title refers to a case study of a schizophrenic child who, isolated in his own world, learns to communicate with cranes he sees outside his window. This metaphor appears to have only a tenuous connection to the story. The plot revolves around Philip, a young gay man experiencing his first deeply felt romantic relationship, contrasting sharply with his past encounters that were more casual and devoid of emotional depth, often taking place in New York's pornographic theatres. Philip's relationship unfolds amidst the backdrop of the AIDS crisis, which influences his understanding of love and fidelity. His fears of promiscuity in light of this health epidemic drive him to form a more committed bond with a younger man who has become reliant on him. This relationship prompts Philip to confront familial issues, particularly his father's struggles with similar challenges, leading to a new level of understanding between them. However, the mother remains devastated by these revelations, showcasing the emotional fallout within the family. Unger observes that the book features several brief sexual encounters that are portrayed as emotionally charged, yet afterwards, the characters seem to retreat into solitude. There are also portrayals of lesbians in the narrative, who likewise grapple with unhappiness and a sense of maladaptation. Overall, Unger likens the treatment of gay romance in the book to a lacklustre rendition of traditional romantic tropes, suggesting that, had it been a heterosexual narrative, it would come off as unremarkable and clichéd. In conclusion, "The Lost Language of Cranes" offers a glimpse into the lives of its characters but, according to Ralf Unger, falls short of creating a compelling or inspiring narrative, leaving a sensation of stagnation rather than a fresh exploration of love and identity within the homosexual experience.

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