Scratches That Survive (Press, 18 March 1989)
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Summary: Scratches That Survive (Press, 18 March 1989)
Evan Eisenberg's "The Recording Angel," published by Picador in 1988, provides a thoughtful and original examination of the impact of recorded music on individuals and society. The book's central thesis posits that recorded music is a distinct art form that differs significantly from live music, akin to the difference between film and theatre. Eisenberg traces the evolution of phonography, which began with the advent of the first popular phonograph in 1906, marking a pivotal shift in how music is perceived and consumed. Music transitioned into a commodity that could be traded and accrued, often leading to a sense of detachment from the experience of live performance. Eisenberg draws from a diverse range of sources, including philosophers like Aristotle and modern musicians such as Frank Zappa, highlighting the varied influences that have shaped recorded music. He introduces readers to a cast of characters, such as Clarence, a deaf man living in Brooklyn surrounded by hundreds of thousands of records, and Tomas, a physicist and drag queen who passionately performs opera in his bedroom. These examples illustrate the complex relationship people have with recorded music, showcasing both its cultural significance and personal resonance. The book pays tribute to influential recording artists and producers like Louis Armstrong, Phil Spector, and The Beatles, exploring their contributions to the medium. Eisenberg's writing is characterised by its wit and intellectual rigour, prompting readers to reconsider their understanding of music in all its forms. Ultimately, "The Recording Angel" invites music enthusiasts to reflect on the profound and often underappreciated impact of recorded music in shaping our lives and societies.
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