Disturbing, Thought-provoking, Films Grace Metro (Press, 27 December 1988)

On 27 December 1988, the Metro cinema marked a change of ownership by screening two notable films: "Sammy and Rosie Get Laid" at 8.15 p.m. and "Housekeeping" at 6 p.m. Both films were promoted as comedies, yet they delved into more disturbing and thought-provoking themes rather than providing light-hearted humour. "Sammy and Rosie Get Laid," directed by Stephen Frears and written by Hanif Kureishi, is set against the backdrop of a turbulent Thatcher-era London. The film explores social issues such as cultural dislocation and rampant racism through the complex relationships of its characters. Rafi Rahman, portrayed by Shashi Kapoor, returns to London after a long absence, seeking refuge from his political enemies in India. He finds himself unwelcome in his son Sammy's (Ayub Khan Dim) open marriage with Rosie (Frances Barber). The film presents a stark picture of social chaos, depicted through riots triggered by police violence. It critiques the disintegration of family and society while intertwining the personal lives and infidelities of the characters, culminating in a dark yet satirical representation of contemporary England. Kureishi's writing weaves together themes of filth and anarchy, creating a narrative that questions societal norms and moral decay. The film has a surreal quality, drawing attention to societal issues while maintaining a comedic undertone, resulting in a thought-provoking viewing experience. Ultimately, Rafi’s journey becomes a reflection of the struggle to adapt to a changing world, leading him to a tragic conclusion that paradoxically brings his son and daughter-in-law closer together. In contrast, "Housekeeping," written and directed by Bill Forsyth, offers a gentler narrative. Set in the Canadian northwest, the film tells the story of Aunt Sylvie (Christine Lahti), who arrives to care for her nieces after their mother’s suicide. Sylvie's unconventional lifestyle— which includes a carefree attitude towards mess and a whimsical approach to parenting— contrasts sharply with the conservative expectations of the small community in Fingerbone. Forsyth's film examines the themes of madness and normalcy, suggesting that what is deemed eccentric by society may simply be a different way of living. The audience is drawn into a story of transient joy, where Sylvie’s chaotic yet loving nature provides the girls with a unique perspective on life. The film incorporates a subtle sense of the magical and whimsical against the backdrop of the serene Pacific Northwest, capturing both the charm and the inevitable consequences of Sylvie's lifestyle. Overall, while "Sammy and Rosie Get Laid" serves as a sharp satire on societal issues, "Housekeeping" provides a reflective narrative on individuality and the meaning of home. Both films utilise their distinctive styles to engage audiences in discussions about the intricacies of human relationships and societal constructs.

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