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Summary: On Screen (Press, 2 December 1988)
On 2 December 1988, several notable films were highlighted for their unique contributions to cinema. "The Unbearable Lightness of Being" premiered at the Savoy Theatre, receiving praise for its intricate portrayal of a love triangle set against the backdrop of Czechoslovakia during the 1968 Russian invasion. The film intertwines themes of eroticism, morality, mortality, passion, and politics, and is regarded as one of the year's best. "Who Framed Roger Rabbit" also screened at the Savoy, although specific details about this film were referenced but not elaborated on. "Babette's Feast," showcased at the Academy Theatre, was acclaimed for its exceptional presentation of a meal that transforms into an artistic experience. The film tells the story of a Parisian chef who prepares a lavish feast for a small Danish community and won the Oscar for Best Foreign Film. "Evils Angels" was featured at both Regent 1 and Hollywood in Sumner, with additional details available in a separate article. "Cop," screening at Avon, presented a disturbing depiction of violence as experienced by a Los Angeles policeman, played by James Woods, during his routine duties. "Arthur 2: On the Rocks," also screened at Westend and Stagedoor in Sumner, had its own details available in another article. "Two Moon Junction" at Regent 2 was similarly mentioned without further elaboration. "Caravaggio," shown at the Metro, delved into the life of the famed Italian artist known for his innovations in baroque painting, blending fantasy with themes of homosexuality. "The Couch Trip," featuring Walter Matthau and Charles Grodin, featured comedic antics of characters navigating life in and out of mental institutions. Lastly, "Poltergeist III" at Midcity marked the return of young actress Heather O’Rourke, who encounters supernatural occurrences once again, with the added twist of the haunting beings emerging from mirrors in a new skyscraper. This diverse selection of films showcased a blend of artistic storytelling, cultural reflections, and entertaining narratives, drawing audiences into various emotional and intellectual realms throughout the cinema landscape of 1988.
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