Zany Farce Captures Bizarre Side Of American Life (Press, 14 November 1988)

"Repo Man," directed by Alex Cox, is a film that highlights various social issues within the context of contemporary American life through a comedic lens. Set in the dilapidated suburbs of Los Angeles, the narrative follows a young punk named Otto, played by Emilio Estevez, who finds himself in a chaotic world filled with eccentric characters, including punks, a lobotomised scientist, C.I.A. agents, and repo men. The plot revolves around Otto's journey after being fired from his supermarket job, leading him to take an unexpected position as a repo man—a job involving the recovery of cars from owners who have defaulted on payments. The film explores themes of disillusionment and societal decay, as repo men face violence and hostility from disgruntled car owners. Otto, despite his anti-establishment sentiments and his initial instinct to oppose banks, gets drawn into this gritty life, trading his punk identity for a more conventional appearance. The narrative also delves into Otto's home life, showcasing his parents' indifference and blind faith in a TV evangelist, which underscores a critique of consumerism and misplaced priorities. The story further complicates when Otto is tasked with repossessing a car linked to the mysterious disappearance of a scientist, which introduces elements of U.F.O. mythology. The film’s quirky nature culminates in an unexpected ending that evokes a transcendental quality while drawing connections to other cultural phenomena. Despite Alex Cox being an English filmmaker, "Repo Man" strikes a chord with American audiences, much like previous foreign filmmakers who critiqued American culture. The film has taken time to reach certain locales, such as Christchurch, where it has garnered interest for its unique take on the bizarre aspects of life. The management of the Metro has played an important role in bringing such off-beat films to wider audiences, having previously showcased various cult classics. As the year 1988 comes to a close, cinema-goers in Christchurch can anticipate a more diverse selection of independent films, ensuring that innovative and critical perspectives on society continue to be explored on screen.

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