Jackie Collins And I (Press, 12 November 1988)

In her review published on 12 November 1988, Diane Prout discusses "How To Write A Damn Good Novel" by James N. Frey. The book promises an uncomplicated formula for producing successful novels, suggesting that aspiring writers can easily navigate the complexities of fiction. Frey distils his insights from writing courses into a straightforward equation: Main character plus Goal plus Opposition equals Conflict (M + G + O = C). This simplification and confidence instil an enthusiasm in potential authors, as Frey presents techniques akin to an auto-mechanic's manual, detailing the mechanics of storytelling. Prout highlights Frey’s various strategies for developing characters and crafting narratives, including concepts like “Maximum Capacity and the 'Would-He-Really' Test” and “Patterns of Dramatic Conflict.” He emphasizes the importance of constructing multifaceted characters who face relatable but not inherently evil opposition. For instance, a character such as an elderly detective might have a homosexual nephew and confront drug dealers, but should not exhibit prejudicial attitudes towards single mothers. Frey also provides guidance on maintaining character depth, suggesting they should be grounded in physiological, sociological, and psychological realities, avoiding emotional extremes that deviate from plausible human experience. He encourages writers to craft scenes that realistically reflect human motivations and relationships, creating a blend of aspiration and relatability in character arcs. The review further mentions Frey’s chapters dedicated to the intricacies of dialogue, dramatic prose, and various literary techniques that writers can apply to enhance their narratives. Prout cautions readers, however, about the final chapter titled “The ZEN of Novel Writing,” which presents a sobering reality regarding the social stigma attached to being an unpublished writer. Frey suggests avoiding confessions of being a writer until success is achieved, implying the need for a protective anonymity until reaching a level of recognition akin to achieving a publishing deal or movie script opportunity. Ultimately, the book appears to be an accessible guide for burgeoning novelists, offering practical advice and straightforward strategies, while also motivating them to pursue their aspirations in the literary world. The review captures the essence of Frey's approach and the drive it may inspire among aspiring authors.

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