AI Chat Search Browse Media On This Day Map Quotations Timeline Research Free Datasets Remembered About Contact
☶ Go up a page

German Company Cuts Opera Down To Size (Press, 23 March 1988)

This is a Generative AI summary of this newspaper article. It may contain errors or omissions. Please note that the language in the summary is reflective of the original article and the societal attitudes of the time in which it was written.

Summary: German Company Cuts Opera Down To Size (Press, 23 March 1988)

Pocket Opera, a company from Nuremburg, has been redefining the art of opera for the past 14 years by presenting humorous and exaggerated interpretations of classic works. Their approach seems aimed at poking fun at the theatrical excesses often associated with opera. Elizabeth Kingdon, who stars in the company's recent production of "La Gioconda," highlights that their mission is to explore opera from fresh perspectives. The performances condense the original compositions into shorter, more manageable versions while retaining the core musical essence. In "La Gioconda," the story unfolds in a contemporary context where a German family becomes enthralled by an opera on television, with each member taking on roles from the opera they are watching, intertwined with their personal dynamics. The cast includes a father, two sons, a mother, a daughter, and a transvestite portraying Gioconda's mother, creating a unique blend of comedy and drama. The reception to these unconventional performances has been polarising, with Kingdon noting that audiences typically either love or hate the productions, with no middle ground. Some attendees, familiar with Kingdon's performances at established opera venues, prefer to close their eyes during Pocket Opera shows to focus on the music while ignoring the theatrical antics. Latrenzo Jordan, who plays Barnaba in "La Gioconda," describes Pocket Opera's style as more akin to musical theatre than traditional opera. He, along with other company members, has transitioned from established operatic roles to this distinct form of theatre, appreciating the freedom it affords. The group is known for its unconventional venues, having performed in a variety of settings, including circus tents and even a salt mine in Poland. Despite some established opera companies supporting them, relationships can sometimes be tense, as reflected in their experiences. The group's diverse membership includes performers from various countries, but they retain strong ties to their German roots, which provided the initial creative environment for the company. Kingdon acknowledges the impact of West Germany's cultural atmosphere on their beginnings. The invitation to perform at the International Festival of the Arts in Wellington, New Zealand, provides an opportunity for Pocket Opera to showcase their innovative take on opera. This is particularly noteworthy since the Nuremburg State Opera has never previously visited New Zealand. The aim of Pocket Opera is clear: to challenge perceptions of opera and bring a new light-heartedness to the genre while maintaining musical integrity.

Important Information

The text on this page is created, in the most part, using Generative AI and so may contain errors or omissions. It is supplied to you without guarantee or warranty of correctness. If you find an error or would like to make a content suggestion please get in contact

Creative Commons Licence The text on this page is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 New Zealand

Publish Date:23rd March 1988
URL:https://www.pridenz.com/paperspast_chp19880323_2_101_7.html