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The Nicest Brothel In England (Press, 29 October 1987)

This is a Generative AI summary of this newspaper article. It may contain errors or omissions. Please note that the language in the summary is reflective of the original article and the societal attitudes of the time in which it was written.

Summary: The Nicest Brothel In England (Press, 29 October 1987)

"Personal Services," directed by Mike Leigh, is set to premiere at the Avon Theatre, depicting the life of a unique brothel in England known for its unexpected blend of hospitality and sexual adventures. Julie Walters stars as Christine Painter, the madam of this unconventional establishment. The character is portrayed as a complex individual, balancing romantic aspirations with a lively and irreverent sense of humour. Christine's journey begins as a waitress, struggling to make ends meet and resorting to unconventional methods to pay her rent. As she transitions from waitress to brothel owner, the suburban house becomes a haven for a diverse clientele seeking to fulfil their unusual sexual fantasies. Christine takes on the role of a "sexual fairy godmother," catering to a wide array of eccentric requests. The film presents an assortment of characters that visit the brothel, including a shy Inland Revenue officer who enjoys being disciplined in a bikini, a lawyer who wishes to don a schoolboy outfit, and another client who pretends to be a lesbian dressed in a schoolgirl’s attire. Despite the peculiar nature of these requests, Christine ensures that at the end of each day, her clients can enjoy a comforting cup of tea and poached eggs on toast to rejuvenate themselves. However, the whimsical nature of the brothel is threatened as the authorities begin to crack down, leading to police raids on the establishment. The clients are taken to the police station, and Christine finds herself facing court proceedings. Nevertheless, Christine approaches her legal troubles with a sense of humour and confidence, hinting that she may have encountered the judges in a different context. The film highlights themes of societal norms, personal freedom, and the juxtaposition of everyday life with the extraordinary, all delivered with a lighthearted touch.

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Publish Date:29th October 1987
URL:https://www.pridenz.com/paperspast_chp19871029_2_63_5.html