Theatre Group With Tragic Edge (Press, 13 October 1987)

A new theatre group in New York, comprising actors who are either suffering from A.I.D.S. or the related complex (A.1.D.5.), seeks to express the realities faced by those living with the disease. Directed by Seth Glassman, a former drama instructor, the group creates its own scripts based on personal experiences, rather than relying on works by healthy playwrights. This approach aims to provide a genuine reflection of the emotions and struggles encountered by A.I.D.S. sufferers. Due to the unpredictable health of its members, the cast continually changes, which necessitates an adaptive approach to performances. Glassman emphasised the need for flexibility in rehearsals, especially when actors miss sessions due to hospitalisation. The group, an extension of the Gay Men’s Health Crisis organisation, has grown in popularity, making it easier to find replacements for absent actors. The impact of A.I.D.S. has been prominent in American theatre, with notable plays addressing the issue, such as "As Is" and "The Normal Heart." Many renowned figures in the performing arts, including Rock Hudson and Michael Bennett, have fallen victim to the disease. The People With A.I.D.S. Project uses improvisation to develop scripts that capture the devastating emotional effects of the condition on individuals. Recent improvisations have included poignant reflections on relationships and the harsh realities of medical care, illustrating a spectrum of experiences, from hospital conditions to the moment of diagnosis. One recalled the chilling words of a doctor as he was informed of his A.I.D.S. diagnosis, detailing various associated health issues that commonly afflict patients. Beyond artistic expression, the group's aim is to empower its members, combating feelings of helplessness associated with their illness. Nick Pippin, an actor within the group, noted that while the ensemble is not meant to offer counselling, it serves as a therapeutic outlet, allowing participants to channel their outrage and despair into creativity. Performances aim to include elements of joy and humour, showcasing the full spectrum of life for individuals affected by A.I.D.S., which often gets overshadowed by the surrounding negativity. Currently, they are developing a comic mini-musical titled “A Virus Line,” inspired by Bennett’s “A Chorus Line.” Glassman maintains his teaching philosophy remains consistent regardless of the actors’ health status; he values the intense and vibrant life experiences portrayed by the members, seeing their unique narratives as crucial to the collective expression of A.I.D.S. awareness. The project stands as a testament not only to the struggles of those living with the disease but also to their resilience and creativity in the face of adversity.

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