What Turns A ‘load Of Old Cliches’ Into A Cult... (Press, 15 April 1987)

In an op-ed published on 15 April 1987, Judy Oliver explores the secret behind the global popularity of the hit TV series "L.A. Law." Despite its basis in clichéd American television tropes, Oliver argues that the series transcends being mere fodder for prime time viewing, transforming it into a cult phenomenon. She critiques the show’s outlandish characters, absurd dialogues, and sensational storylines, all imbued with legal jargon and implausible situations. Yet, she questions why viewers are drawn to it when comparable series have failed to capture interest. The show's success, according to Oliver, can be attributed to its creator, Steve Bochco, who previously produced "Hill Street Blues." Bochco applies similar narrative techniques in "L.A. Law," interweaving multiple story arcs, employing dynamic camera movements, and portraying interpersonal conflicts with heightened drama. The series features characters reminiscent of "Hill Street Blues," illustrating a blend of fictional citizens from Los Angeles who embody exaggerated attributes tied to the legal profession. Oliver also notes the series' darker undertones, suggesting that Bochco harbours cynicism towards the legal industry. He presents lawyers as largely manipulative and greedy, crafting morality tales where virtue faces significant obstacles. The show intertwines serious legal themes with elements of levity and black humour, evoking a sense of irony in its storytelling. Instances of stark absurdity, such as a partner found dead in his office with his face in a plate of pasta, exemplify this. Furthermore, "L.A. Law" makes a concerted effort to represent diversity, featuring various judges from assorted backgrounds, though Oliver questions the depth of this representation. The series takes a sharp stance on social issues, including gender and racial equality, pushing boundaries with its provocative plots and characters. Ultimately, Oliver concludes that it is the combination of absurdity, cynicism, manipulative emotional arcs, and Bochco's unique storytelling style that transforms "L.A. Law" into an addictive watch. The series revels in its tastelessness, providing an unfiltered and chaotic glimpse into a world filled with legal intrigue while cleverly critiquing the very nature of its characters and stories.

The text on this page is created, in the most part, using Generative AI and so may contain errors or omissions. It is supplied to you without guarantee or warranty of correctness. If you find an error or would like to make a content suggestion please get in contact

The text on this page is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 New Zealand