Ill Met By Moonlight (Press, 3 April 1987)

On 3 April 1987, an update was provided on the British television series "East Enders," which was reportedly gaining a larger audience. The programme is noted for its ability to seamlessly engage viewers, as it follows familiar characters grappling with personal troubles amid a setting that reflects everyday struggles. The portrayal of life within the series involves confrontational interactions among characters, with adults frequently yelling and babies crying, encapsulating a world filled with despair yet peppered with moments of misguided optimism. The depiction of life in "East Enders" resonates universally albeit enriched with distinct Cockney accents. In contrast, the series "Moonlighting" is described as catering to a more affluent audience, showcasing a dynamic duo of a wealthy man and woman who, despite their luxurious lifestyles, are grounded in basic values. The series features the characters of Maddie Hayes, portrayed by Cybill Shepherd, and David Addison, played by Bruce Willis. The review suggests that while "Moonlighting" maintains an upbeat tone with witty banter and engaging arguments, it struggles with pacing as episodes unfold slowly without much substantial plot development. What stands out in the series is the chemistry between the lead characters; their rapid-fire exchanges seem genuine and relatable, despite occasionally bordering on the fantastical. The latest episode of “Moonlighting” contained a lengthy soliloquy by Shepherd’s character but ultimately revolved around her relationship with Addison. An intriguing moment occurred when Addison's ex-wife revealed her sexual orientation, yet the series refrained from directly addressing it openly. The author concludes with a reflection on the presentation of news, expressing frustration at frequently having to witness the stock market alongside news updates, likening it to having to review sports results daily. Overall, the review offers a comparative look at the two television series, highlighting their different target demographics and styles while delving into the substance—or lack thereof—present in their narratives.

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