‘Run For Your Wife!' (Press, 17 March 1987)

"Run For Your Wife," a play by Ray Cooney directed by Paul Elliot, was presented by the Theatre of Comedy Company at the James Hay Theatre beginning on 16 March 1987. The play, which is rooted in traditional English farce, was reviewed by John Farnsworth who expressed mixed feelings about its overall quality. Despite its underlying absurdities and a plot that seems improbable, he noted the production's ability to keep the audience entertained until the final curtain. The storyline revolves around John Smith, played by Robin Askwith, who leads a double life as a bigamist taxi driver. His two wives, Mary and Barbara, portrayed by Jacki Piper and Vivienne Labone respectively, remain blissfully unaware of each other's existence until a series of comedic misadventures ensues following an accident that disrupts his carefully orchestrated schedule. Gatsby-esque misunderstandings and complications pile on as neighbour Stanley, played by Geoffrey Hughes, attempts to assist John in navigating his chaotic situation. Farnsworth acknowledged the impressive calibre of the cast, which included notable screen stars who brought a level of professionalism to the performance. He highlighted the strong chemistry among the leads, noting their impeccable timing and energy, which infused the production with a captivating charm that rivalled even high-calibre shows in London's West End. The performances were described as crisp and engaging, with moments of slapstick that evoked considerable laughter from the audience. While Farnsworth recognised that certain aspects of the script are outdated, particularly its portrayal of homosexuality and reliance on guilt-driven humour, he maintained that the adept execution by the cast made these flaws somewhat inconsequential. The reviewers seemed to appreciate the interplay of physical comedy, with memorable moments like Askwith eating a newspaper and Hughes's antics contributing significantly to the evening's humour. In summary, "Run For Your Wife" was evaluated as a solid representation of traditional farce, notable for its polished execution and enthusiastic performances, despite a script that showed its age. Farnsworth ultimately conveyed a sense of enjoyment, indicating that, despite its shortcomings, the production was crafted with a professionalism that ensured a rousing and entertaining experience for the audience.

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