Lady Redgrave Writes Autobiography (Press, 11 December 1986)

Rachel Kempson, Lady Redgrave, reflects on her life as part of an esteemed acting dynasty in her autobiography “A Family and its Fortunes,” published in 1986. The book encompasses her experiences as a mother to accomplished actors Vanessa, Lynn, and Corin Redgrave, and as the wife of the late Sir Michael Redgrave, who passed away in 1985 after 49 years of marriage. At 76, Lady Redgrave remains unperturbed by the controversies in her family's history, acknowledging her daughter Vanessa’s strong political views and her husband’s bisexuality. Her autobiography captures her journey in the performing arts, starting with her stage debut in 1933 at Stratford-on-Avon, where she played Hero in “Much Ado About Nothing.” Coming from a background that included a headmaster and an Army captain, Lady Redgrave found her place in the theatre, feeling a sense of perfection while on stage. She married Michael Redgrave in 1936, and together they raised their children in a household immersed in the world of acting, with five of their ten grandchildren also showing interest in the craft. Despite the challenges of her husband’s infidelity, which she accepted with grace and understanding, Lady Redgrave speaks fondly of their time together. She recalls instances of Michael's affairs, including one with actress Edith Evans and another with playwright Noel Coward, both of which she managed to cope with. Throughout her narrative, she maintains a romantic view of Shakespeare and the theatre, revealing that many of her happiest moments have been on the stage in Stratford. The book also touches on the political activities of her elder children, Vanessa and Corin, who are known for their involvement with the Workers’ Revolutionary Party. Lady Redgrave expresses concern over the criticisms they face but supports their activism, stating that their socialism does not harm anyone and is not pursued for personal gain. In contrast, Lady Redgrave shares her affection for her youngest daughter, Lynn, who resides in the United States. Their bond is described as harmonious, lacking the political fervour that characterises her relationship with her elder children. Lynn is poised to star on Broadway, further extending the family's acting legacy. Lady Redgrave’s autobiography thus presents a portrait of a family deeply rooted in the arts, navigating the complexities of personal and professional lives while maintaining a profound appreciation for their shared passion for acting.

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