Young Actor Takes Lead In ‘brighton Beach' (Press, 10 December 1986)

Young actor Antony Hodgson, at just 18 years old, is preparing to take on the role of 15-year-old Eugene Jerome in Neil Simon's play "Brighton Beach Memoirs," which is set to open at the Court Theatre on 12 December 1986. Hodgson feels that his own memories of being 15 will assist him in portraying Eugene, a character defined by his intelligence—not in a boastful way, but with an approachable smile. However, Hodgson acknowledges that Eugene, who lives in 1937, has a different perspective on life compared to teenagers today. Initially, Hodgson was uncertain about wanting the role, as it seemed likely to be his depending on his performance throughout the year. But after starting rehearsals, he expressed enjoyment and credited the experienced cast with making the process easier. Coming from a musical and theatrical family, he has had a strong background in the arts, though his parents moved away from Nelson’s amateur theatre scene when he was just beginning to pursue acting at 10 years old. Hodgson's interest in theatre grew through his participation in school plays. His father, who is musically inclined and has recently taken a break to focus on trumpet playing and singing training, has long shown talent in music, while Hodgson's mother is also musical. His younger sister, Joanne, is similarly talented, excelling in oboe playing and acting. Antony’s older brother, Michael, has already made his mark at the Court Theatre’s properties department. Antony joined the Court Theatre company after an audition, which he initially approached with hesitation after a less fulfilling experience in high school. Following an interruption of his education, he worked for the Catchment Board in Nelson before pursuing acting more seriously. He started working with the Court Theatre in March 1986, marking a significant step in his theatrical career. As the youngest actor at the Court Theatre, Hodgson has taken on various roles, including small parts in "Pravda," playing a homosexual son in "Torch Song Trilogy," and serving as stage manager for "Paper Towers," before landing the role of Eugene. His current engagement is part of a one-year studentship, which may be extended. Looking toward the future, Hodgson is determined to continue working in the theatre and is optimistic about the profession's evolving reputation in New Zealand, noting that theatre is increasingly viewed as a legitimate career rather than just a hobby. He believes that the practical training at the Court suits him better than a traditional drama school, as he reflects on his past issues with formal education. Hodgson appreciates the professional expectations placed on performances at the Court, which contrasts with the more casual atmosphere often found in student productions. Ultimately, he remains resolute in his ambition to forge a career in theatre.

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