Even Hollywood Super-stars Face The Mid-life... (Press, 24 May 1986)

In a revealing article from May 24, 1986, David Lewin examines the personal and professional struggles of Hollywood star Robert Redford as he approaches his 50th birthday. Redford, known for his striking looks and successful career, has faced a mid-life crisis, manifesting in various aspects of his life. Recently separated from his wife of 27 years, his new partner, actress Debra Winger, is 20 years his junior. Critics have noted a decline in Redford's acting prowess, particularly in his latest film "Out of Africa," which fails to reach the acclaim of his earlier works like “Butch Cassidy and the Sundance Kid” and “The Sting.” The article includes a poignant poem written by one of his children, highlighting Redford's commitment to maintaining his physical appearance. However, it suggests that his efforts feel increasingly inadequate as he navigates the pressures of aging in an industry that often prioritises youth and beauty. William Goldman, a close associate and screenwriter for many of Redford's films, states that very few beautiful actors sustain their appeal, implying that Redford’s struggle with "role insecurity" is indicative of broader trends in Hollywood. Redford’s previous roles typically positioned him as the handsome lead, overshadowing his female co-stars. Yet, as he faces the challenge of taking on roles that do not align with his carefully crafted image, he has become uncomfortable with the expectations placed upon him. An anecdote recounts an instance where Redford backed out of “The Verdict,” a film that required him to play a flawed character, further indicating his reluctance to abandon his polished persona. Despite his avoidance of Hollywood’s high-profile events, opting instead for quieter retreats in Utah, the underlying self-doubt has always lingered. An early comment from a studio executive compared him unfavourably to other California blondes, spurring Redford to carve out a distinct identity. His purchase of 7,000 acres in Utah, known as Sundance, reflects his desire for solitude and separation from the Hollywood elite. As he prepares to star in “Legal Eagles,” Redford seeks a return to lighter roles reminiscent of his earlier successes. Even as he grapples with the pressures of fame, a new romance, and uncertain career prospects, he remains a compelling figure set against the backdrop of a changing industry. Lewin ends by reflecting on the ambiguity of Redford’s future, as the veteran actor continues to run the race of life in the pursuit of lasting success.

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