A.I.D.S. Play Divides The Community At Risk (Press, 26 April 1986)

In an interview with Larry Kramer, author of the poignant play “The Normal Heart,” William Scobie of the London Observer explores the themes and impact of this important work that addresses the AIDS crisis of the 1980s. The play has resonated deeply with audiences, particularly during two powerful moments: a poignant scene where a character reveals the brutal symptoms of AIDS, and another where two seemingly heterosexual characters share a surprising kiss. This moment often leaves audiences stunned, with no one walking out despite its intense three-hour duration. “The Normal Heart,” which had its premiere in New York in April 1985 before opening in London, serves as both a personal memoir and a political commentary. It confronts the indifference of the Reagan administration and wider societal attitudes towards the gay community during the AIDS epidemic. With characters portrayed by notable actors including Richard Dreyfuss and Bruce Davison, the play reflects the struggle for recognition and action amid the growing health crisis that had already claimed thousands of lives. Larry Kramer, 50, is not only a playwright but also a formidable activist. He co-founded the Gay Men’s Health Crisis (GMHC) in New York in 1981, aiming to push for urgent political action and awareness regarding AIDS. Kramer criticises the lack of media coverage and governmental response, highlighting a stark contrast between reactions to other public health crises and the apathy shown toward AIDS, which affected the gay community. His earlier works, including the controversial novel "Faggots," have drawn criticism from within the gay community for their portrayal of gay life. However, Kramer remains committed to his belief that activism is essential. He uses “The Normal Heart” as a means to galvanise public sentiment and reflect the urgent need for change, following the loss of many, including his own lover to the disease. While some within the gay activist community have expressed discontent with Kramer's self-portrayal in the play, it has generally received critical acclaim. The role of Ned Weeks, which reflects Kramer’s own personality traits, has attracted talented actors, showcasing the blend of personal and political dimensions that characterises the piece. Martin Sheen, who is currently performing the role in London, describes his involvement as both a tribute to his mentor, Joe Papp, and as a commitment to a significant cause. The play's impact is undeniable, capturing the struggles, fears, and resilience of a community facing a devastating health crisis, while also sparking necessary conversation around the political and social negligence that exacerbated the situation. Barbara Streisand's purchase of the screen rights indicates the ongoing relevance of Kramer’s work, ensuring that its message continues to resonate.

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