'Run For Your Wife’ (Press, 9 April 1986)

"Run For Your Wife," a comedic play by Ray Cooney, was directed by Janet Spearman and presented by the Theatre of Comedy Company at the Theatre Royal, starting on 8 April 1986. The play has gained a reputation as one of the staple productions of London’s West End, and the review by John Farnsworth highlighted its ability to evoke laughter through both the script and the performances. The story revolves around a taxi driver named John Smith, portrayed by Robin Askwith, who leads a double life with two unsuspecting wives. The chaos ensues when John gets into an accident, prompting his clumsy friend Stanley, played by Geoffrey Hughes, to assist him. The play is characterised by a series of misunderstandings and comedic situations that build up over its duration, ultimately creating a crescendo of laughter from the audience. Farnsworth pointed out that the performances of Askwith and Hughes were central to the success of the production, aided by a supporting cast that, while competent, often seemed to serve as foils to the main characters. The direction by Janet Spearman was noted for enhancing the performance quality, ensuring that the weaker moments of the play were improved while allowing the lead actors to shine. Despite the overall charm and entertainment value of "Run For Your Wife," the review did not shy away from acknowledging the play's flaws. It was critiqued for its crassness, inherent sexism, dated comic devices, and an underlying tone of prejudice, particularly towards gays. Farnsworth pointed out that the humour derived from guilt and an aversion to authority was prominent, yet the audience appeared to enjoy the show immensely. This enjoyment was attributed to a clever script, lively performances, and energetic stage antics. The production featured additional performances from Vivienne Labone, Leonie Mellinger, and local talent David Halls, the latter contributing positively to the overall experience. The reviewer concluded that, despite its shortcomings, the play's successful history in Britain suggested that it would attract audiences and perform well in New Zealand as well.

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