‘Queer Pictures’ (Press, 9 April 1986)

The exhibition "Queer Pictures," featuring works by lesbian and gay artists, is currently being displayed at the Manawa Gallery in Cashel Street Mall, Christchurch, until 11 April 1986. The review by Pat Unger highlights the unique characteristics and significance of this collection, which is notably smaller than a previous exhibition with 125 mixed media works held in Auckland. This smaller scope allows viewers in Christchurch the opportunity to engage with the artworks without the influence of preconceived notions about "queer" art. Gary Cocker’s statement regarding his photographs exemplifies the exhibition's approach, encouraging audiences to view the pieces individually rather than as a collective statement reflecting a singular theme. This is particularly pertinent given the potentially conservative views of the South Island, which may lead to misunderstandings or diminished expectations regarding lesbian and gay art. According to Sally Smith, one of the exhibition's originators, these preconceived ideas may not align with the actual nature of the works showcased. Expectations of shocking or erotic content may not be met, and instead, viewers may find that the quality of the art matches that of any professional exhibition featuring young artists. Despite the fragmented presentation due to the exhibition's travel across the country, the artists share a common objective related to advocating for the legal recognition of alternative sexual preferences, imbuing the show with political significance. Among the notable works in the exhibition, Fear Brampton's sculpture captures the fragile essence of humanity, represented through a female form crafted from pressed white tissue. Alastair Floyd presents a series of sharp black and white contact prints that cleverly parody styles from the 1940s. Bede Stevens offers more intimate photographs that reflect deep personal connections, while Sally Smith's photography tackles women's experiences, though it is somewhat limited by its small format. Adriana Tuscia contributes vibrant prints and woodcuts filled with wit, and Maureen Jaggard employs bold simplification in her oil paintings that symbolically comment on persecution. The exhibition presents a diverse range of themes and styles, inviting a spectrum of interpretations. Art enthusiasts are encouraged to attend this thought-provoking exhibition before it continues on to Dunedin and then Nelson. The artworks are available for purchase priced between $50 to $500.

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