‘From The Lawn’ (Press, 11 July 1985)

A performance titled “Songs and Stories from the Front Lawn,” featuring singer Don McGlashan and actor Harry Sinclair, took place at the State Trinity Theatre from July 10 to July 13, 1985. The show, which started at 8 p.m. and ran until 9.35 p.m., was reviewed by Nevin Topp. McGlashan, known for his previous work with the rock group Blam Blam Blam, and Sinclair brought a unique theatrical experience from Auckland that highlighted the disconnection many individuals feel from their roots, particularly due to urban living in town houses and flats that lack traditional lawns. The duo utilised a portastudio as they performed a mix of songs and skits that explored various aspects of the New Zealand experience. One song, “Hammer Song,” celebrated the Kiwi DIY culture and creatively integrated an urban equivalent of a Māori stick game. Other notable performances included “Wash My Hands,” which reflected on a common daily ritual, and “Mediaclumps,” a thought-provoking skit examining the effects of television on personal connection. The pair deepened their exploration of New Zealand's identity with the earthy song “Mud,” and touched on romance with “This Is A Love Song,” which is distinct from the similar-sounding track by Public Image, Ltd. The overall production offered fresh perspectives, drawing comparisons to the Talking Heads album “More Songs About Buildings and Food.” However, not all songs resonated with the audience, particularly those that tackled social issues like “The Petition,” which addressed the Homosexual Law Reform Bill, and “We Will Close The Window of Vulnerability,” which focused on nuclear war. Despite some unevenness, the combination of music, skits, and creative sound effects contributed to an engaging experience. Topp noted that the most captivating moments were those that resonated with quintessential elements of New Zealand culture, such as the humorous spotlight on cheese in “The Names of Things,” a response to the ongoing advertisements about a local cheese product. Overall, the performance stood out for its inventive approach to storytelling through a blend of song and theatricality, as it engaged with themes relevant to the New Zealand experience.

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