The Charming Smiths (Press, 2 May 1985)

The Smiths has released their latest album titled "Meat Is Murder," which signifies a shift from their previous focus on 60’s films and television. The album's cover features a soldier with “Meat Is Murder” written on his helmet, marking a more serious tone than earlier works. Musically, while the band still retains the signature sound created by guitarist Johnny Marr's metallic twang, the overall sound of the album has become tougher and less immediately accessible compared to their debut. Lead singer Stephen Morrissey continues to portray the sensitive voice of the post-Culture Club generation, although some listeners may find his occasional campy falsetto irritating. The album delves deep into themes stemming from Morrissey’s troubled childhood, as evident in songs like “The Headmaster Ritual,” which reflects his bitter school experiences. The poignant lyrics convey a sense of bitterness towards authoritative figures, with lines discussing the "belligerent ghouls" in Manchester schools. Morrissey's exploration of his sexuality appears in "I Want The One I Can’t Have," which includes a perplexing line about a young boy committing a serious crime that raises questions about the gentleness of his character. Another notable track, “Barbarism Begins At Home,” tackles the sensitive issue of child abuse with a genuine empathy that distinguishes it from other bands' treatment of similar subjects. While the album lacks the immediate catchy appeal of previous hits like “Heaven Knows I’m Miserable(!) Now,” the second side compensates with compelling tracks. The single "How Soon Is Now," featured only on New Zealand pressings, marks a significant departure from their typical pop sound, utilizing a tremolo-laden epic approach that has found new fans through airplay on Radio U. Following it is "Nowhere Fast," which contributes to the album’s reflective and introspective nature, leading into the emotive melody of "Well I Wonder." Overall, "Meat Is Murder" represents a bold evolution for The Smiths, who were often dismissed as merely "wimpy popsters." The album not only showcases their artistic growth but also highlights their ability to tackle substantial themes within their music, with songs like "How Soon Is Now" emphasizing their capacity for greater musical depth and complexity.

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