Auden: Poet By Choice (Press, 13 August 1983)

In the review of Edward Callan's 1983 book "Auden: A Carnival of Intellect," John Summers reflects on the complexities of poet W. H. Auden's character and work. He contrasts Callan's more balanced analysis with Charles Osborne's earlier biography, which he criticises for its gossipy nature and lack of depth. Summers notes that while Auden struggled with his dualistic nature, notably in his relationship with Chester Kailman—who he supported even after their romantic ties were severed—Auden ultimately prioritised his calling as a poet. Summers compares Auden to a corrupt priest from Graham Greene's "The Power and the Glory," suggesting that both recognise the significance of their roles regardless of personal unworthiness. They illustrate the idea that giving up on one’s vocation would be a grave loss to the world. Callan’s work highlights the theme of guilt in Auden's poems, showing how the personal becomes public in his poetry, and though he acknowledges that Callan may be somewhat fixated on his subject, he appreciates the breadth of Callan’s research into Auden’s influences. Callan’s focus includes Auden's longer works, particularly the "New Year Letter," which critiques contemporary societal issues through intricate rhymed couplets. Summers quotes a passage to emphasize Auden's insight into human anxieties. However, he critiques Auden’s reliance on abstract philosophical musings that can sometimes detract from the poetry's vividness, suggesting that mere dexterity is insufficient for genuine poetic expression. The review considers Auden's work as strikingly modern, engaging with ideas from prominent intellectuals like Jung and Freud, yet hints at a sense of old-fashionedness in his approach that ties private struggles to societal decay. Auden reflects on the disorder of the state, echoing historical sentiments that personal failings resonate on a larger scale, reminiscent of Shakespeare's “something is rotten in the state of Denmark.” Ultimately, Summers praises Callan’s exploration of the connections between the personal and public spheres in Auden’s work and the importance of those connections in understanding the poet's legacy, challenging the idea of intellect detached from human experience.

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