Mary Poppins Was Never Like This (Press, 25 March 1982)

Julie Andrews, the renowned actress best known for her roles in classic films like "Mary Poppins" and "The Sound of Music," is experiencing a significant transition in her career with her latest project, "Victor-Victoria." Released in 1982, this film showcases Andrews in the role of a transvestite—a woman masquerading as a man who performs as a woman. In an interview, she enthusiastically discusses the role, highlighting her growth and maturity as an actress. She acknowledges the iconic image of Mary Poppins but feels that trying to recreate that character would be unwise. Andrews reflects on her past projects, including the black comedy "5.0.8.," where she bared her breasts—a departure from her previous wholesome image. She expressed no regrets about that decision, indicating that she embraced the evolution of her career. In "Victor-Victoria," set in 1934 Paris, Andrews plays a destitute singer who, with the help of a homosexual cabaret performer, pretends to be a Polish count. The plot thickens when an American gangster develops feelings for her, leading to comedic situations upon discovering her true identity. The actress shared her preparation for the film, indicating that she observed male behaviour to authentically portray her character, while joking about her unfamiliarity with how men typically carry themselves. She noted that while she feels liberated as a woman, she recognised that men often have more societal advantages. In her personal life, Andrews maintains a balance between her public persona and her home life, revealing that she is more relaxed at home than her public image suggests. She is married to film director Blake Edwards, with whom she has a blended family that includes three children from previous marriages and two adopted daughters from Vietnam. Andrews emphasized her British identity, expressing her fondness for tea, and described her sense of safety and confidence while working with Edwards, reinforcing the personal and professional bond they share. Throughout her career, Andrews faced fluctuations in her popularity, especially after a series of box office failures in the late 1960s. Following a period of focusing on her family, she became involved in humanitarian efforts related to war-torn children in Asia, a cause linked to her husband’s activism. Now, with her career revitalised by roles that challenge her past image, Andrews noted that "Victor-Victoria," has even gained acceptance from homosexual communities, showcasing her versatility and the changing landscape of her acting career.

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