Setting The Tone (Press, 16 March 1982)
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Summary: Setting The Tone (Press, 16 March 1982)
An article published on 16 March 1982 reviews the television programme “Credo,” describing it as a poor quality show that is more verbal than visual. The programme is structured into three segments, with the first segment featuring an interview with the national director of Barnardo's, who was perceived as a pleasant individual. However, the conversation, led by a host believed to be named Naomi Trig, was uncomfortable. The review points out that interviews should ideally be conducted while seated, as the host appeared uneasy and struggled with the camera presence. The second segment of the show critiqued New Zealand’s refugee policy, which seemingly prioritises the acceptance of refugees who would prove beneficial to the country, contrasting with Barnardo's approach of assisting all needy children. The final part of “Credo” focused on St Patrick's Day, featuring an engaging priest named Father Conan Fahey, who added a light-hearted touch to the segment, partly due to his evident enjoyment of a glass of green beer. Following “Credo,” the programme transitioned into a performance by the Evening Post Onslow Brass Band for 45 minutes. The review comments on the positive nature of brass band music, recognising its optimistic and cheerful vibe. The piece hints at the humorous historical context of brass bands and marching girls in New Zealand, suggesting that the cultural phenomenon might stem from women's response to the reluctance of men to dance. The colourful performance was described as visually and audibly delightful, providing a fitting conclusion to the weekend. Lastly, the review notes that the subsequent programme, "Country Calendar," contributed to the desired Sunday evening calm and optimism, but concludes with a note that significant improvements are required for “Credo” to become a better viewing experience.
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