Life Beyond Plumb (Press, 17 October 1981)

In a review dated 17 October 1981, John Goulter discusses Maurice Gee's novel "Meg," which serves as a sequel to his earlier work "Plumb," published in 1978. Following the acclaim of "Plumb," which presented the life of George Plumb—a character reminiscent of Gee’s grandfather, James Chapple—Gee shifts the narrative focus to Plumb's daughter, Meg. In "Plumb," George Plumb is depicted as a larger-than-life figure, a complex man seeking a utopian vision intertwined with his failings as a father and husband. As the narrative unfolds, he embarks on a journey of self-discovery, culminating in a poignant understanding of his life. In "Meg," Goulter highlights that the novel retains the depth of its predecessor while introducing the perspective of Meg, who is portrayed as deeply vulnerable and central to the family dynamics. Meg is not only the catalyst for her father's journey but also becomes an anchor for him upon his return home. The narrative explores Meg’s own experiences and the legacy of her father through her memories and struggles, offering a fresh lens on the Plumb family saga. The novel reveals Meg's battles with sentimentality and her reflection on an almost idyllic yet troubling childhood, marked by her father's emotional absence. As she recounts various family tragedies—including her brother Robert's illness and the impact of their father's rejection of another son due to his homosexuality—Meg emerges as a resilient character who navigates the complexity of her family's legacy while confronting the past. Goulter notes the structural sophistication of Gee’s writing, emphasising how the craft appears effortless, filled with layers beneath its simplicity. The deterioration of Peacehaven, the family home, symbolizes the disintegration of George Plumb's once-mighty influence. Meg's journey represents a poignant exploration of loss as she comes to terms with her identity outside her father’s shadow. Throughout the narrative, echoes of George Plumb's legacy are present, particularly in moments that reflect familial patterns of exclusion and acceptance. Goulter suggests that "Meg" is a nuanced continuation of "Plumb," revealing new insights and marking a transition for the next generation. While Meg’s story may seem less impactful than her father’s due to the stage of her life, it ultimately signifies a vital part of the larger narrative, touching upon themes of identity, acceptance, and the complexities of familial ties. Goulter concludes with hope for a continuation of the trilogy, likely narrated by Meg's son, Raymond, who embodies the connections to both the Plumb and Sole identities. In this way, Gee's work not only explores individual character arcs but also reflects on the broader evolution of family and legacy.

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