‘Dressed To Kill’ — Stylised Terror (Press, 16 March 1981)

On 16 March 1981, the film "Dressed to Kill," directed and written by Brian De Palma, was reviewed, highlighting its blend of eroticism and terror. The movie begins with a strikingly sensual shower scene featuring Angie Dickinson, portraying a neurotic woman seeking sexual fulfilment. This introduction leads the audience to expect a conventional sleazy narrative; however, it quickly transforms into a sophisticated thriller, richly textured and stylised. De Palma, known for his homage to Alfred Hitchcock, particularly nods to "Psycho" with elements such as a chilling shower scene and the presence of a transvestite killer. The film shifts from the traditional Gothic horror setting to a modern, open New York, proving that fear can lurk in vibrant, urban environments just as much as in isolated places. The film’s early sequences, set in the art museum, are particularly noteworthy, as they communicate tension without dialogue, instead relying on ambient sounds and the unnerving gaze of framed eyes that seem to follow Dickinson’s character. Accompanied by Pino Donaggio's hauntingly effective score, the audience becomes engrossed, only realising that thirty minutes have passed before significant action commences. When terror does strike, De Palma executes it masterfully, crafting at least three sequences that keep viewers on edge while balancing these moments with calmer, often humorous interludes. Although Dickinson’s character is not present throughout the entire film, she leaves a lingering impact, while Michael Caine delivers a strong performance as her composed psychiatrist. Dickinson, at 44, is depicted as stunning and voluptuous, and Caine, at 47, retains a unique charisma reminiscent of his role in "Alfie." Nancy Allen, De Palma’s wife, plays a streetwise hooker embroiled in the film's central mystery, exhibiting both vulnerability and resilience. Keith Gordon rounds out the cast as Dickinson’s son, providing a charming portrayal of a boy fascinated with technology. Dennis Franz appears as a detective attempting to navigate his way through the case, reflecting the comedic undertones present throughout the film. Despite any perceived plot inconsistencies, "Dressed to Kill" is described as an enjoyable journey. It marks the seventh film by De Palma, who has made a name for himself in the horror genre with previous works such as "Sisters," "Carrie," and "The Fury." While comparisons are drawn to another contemporary horror film, "The Shining," the review concludes that while "The Shining" is a stronger overall film, "Dressed to Kill" promises a thrilling experience specifically within the horror category. The anticipation for De Palma's future projects is evident, indicating the director’s growing influence in the genre.

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