Disco Scene Lives On — On Film (Press, 28 August 1980)

The article by Nevin Topp reviews the film "Can’t Stop The Music," highlighting its portrayal of the disco scene in New York during a time when it seemed to be losing its allure. Topp compares the film to an American television comedy called "Car 54, Where Are You?" which similarly presents a skewed version of reality. The film, featuring the disco group Village People, is noted for offering a dated representation of the music scene, as the trends it tries to capture are already a year behind the current climate in 1980. Topp critiques the film, describing it as lacking substance and more focused on creating a hype rather than delivering genuine content. He points out that the film attempts to address themes of sexuality, with characters suggesting past sexual experiences but ultimately shying away from meaningful discussions about them. The characters include Samantha Simpson, played by Valerie Perrine, and Ron White, portrayed by Bruce Jenner, alongside Jack Morell, played by Steve Guttenberg, whose ambition is to achieve fame. However, the film does little to explore their personal narratives deeply. The review also mentions the use of erotic dance sequences, particularly a notable routine titled “The Milk Shake,” which crosses into overt suggestiveness, hinting that the content hardly relates to its purported theme. The dance for the song "Y.M.C.A." is highlighted for its impressive athleticism, yet Topp remarks that it misses the underlying commentary about the association of the song with homosexual activity linked to the Y.M.C.A., showcasing a disconnect between the visuals and the intended message. Overall, Topp's assessment of "Can’t Stop The Music" is critical, pointing out its lack of a solid plot, evident confusion in its thematic content, and weak character portrayals. He contrasts the film’s leading actress, Perrine, suggesting that even her character, deemed the most sought-after model, does not come across convincingly as a star, with the supporting actress Tammv Grimes appearing more model-like. Topp concludes by noting that the disco genre as a whole seems to be on the decline, along with its famed venue, Studio 54, encapsulating the film’s disconnect with contemporary trends in music and culture in 1980.

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