Concentration Is Needed (Press, 9 June 1980)

On 9 June 1980, a review of Bernardo Bertolucci's film "La Luna" was published, shedding light on its complex themes and cinematic qualities. The film, which features a screenplay by Giuseppe Bertolucci, Clère Peploe, and Bernardo Bertolucci, explores emotionally charged relationships within a backdrop of Italy's picturesque landscapes and a classical setting. The narrative centres on a widow, played by Jill Clayburgh, who embarks on a singing tour of Italy with her 15-year-old son, portrayed by Matthew Barry. However, their journey is marred by a tumultuous emotional state following the sudden death of the family patriarch. The review warns that the film, despite its sensational publicity surrounding themes such as incest, may not satisfy those seeking purely erotic content, akin to Bertolucci’s earlier film, "Last Tango in Paris." Instead, "La Luna" presents a richly layered story, beckoning viewers to engage thoughtfully with its content. Set against a vibrant Italian setting with coastal vistas and ancient ruins, the film contrasts sharply with the claustrophobic environment of "Last Tango in Paris." The celestial presence of the moon acts as a silent observer throughout the film, lending a Freudian undertone to the unfolding drama. A notable scene involves the son drawing a peculiar moon, suggesting an exploration of complex familial love mirrored in other narratives, such as "Kramer vs. Kramer." As the plot unfolds, it becomes apparent that both mother and son are navigating a path marked by emotional disturbance and sexual frustration. The son's emotional struggles manifest in an Oedipal quest, culminating in tense interactions with peers, including a confrontation with a girl who introduces him to heroin. This revelation leads him into darker escapades involving drugs and bisexuality, which shock his mother into action. The mother's desperate attempts to reconnect with her son reveal the magnitude of their relationship's dysfunction. In a poignant scene, she grapples with her role in his downward spiral, questioning, "What have I done to you?" The film's exploration of drug use, sexual exploration, and the complexities of mother-son dynamics produces some of its most harrowing moments, starkly juxtaposed by the film’s overall aesthetic beauty, thanks to cinematographer Vittorio Storaro's work. Despite availing itself of controversial subject matter, "La Luna" is described as powerful and beautifully executed, challenging audiences to reflect on its deeper meanings. The review ultimately presents "La Luna" as one of the year's standout films, particularly for those willing to delve into its thematic richness beyond the sensationalised aspects.

The text on this page is created, in the most part, using Generative AI and so may contain errors or omissions. It is supplied to you without guarantee or warranty of correctness. If you find an error or would like to make a content suggestion please get in contact

The text on this page is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 New Zealand