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Andy Warhol: Master Painter Of Trivia (Press, 12 December 1979)

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Summary: Andy Warhol: Master Painter Of Trivia (Press, 12 December 1979)

Andy Warhol, the most famous living artist in America as of December 1979, has sparked frustration among serious art critics for his commercialised art that some view as lacking depth. His latest exhibition, "Portrait of the Seventies," at the Whitney Museum showcases embellished photographic blow-ups of notable figures like Liza Minnelli, Truman Capote, and Chairman Mao. Critics find Warhol’s work to be less about painting history and more tied to the realm of publicity, with art critic Hilton Kramer asserting that his pieces reflect the legacy of 1960s pop art rather than genuine creativity. Warhol, who became renowned in the 1960s with his depictions of everyday consumer products, has established a mini-industry around himself. This includes acting, publishing a gossip magazine, and creating films. Despite originating as a commercial artist, his move into fine art has resulted in prices skyrocketing for his works, which sell for between $20,000 and $40,000. His first foray into painting dollar bills epitomises his connection between art and commerce, which has propelled him into high society. Notably, Warhol does not engage in traditional artistic creation; he epitomises the role of the celebrity artist, often seemingly passive in his creative process. He has maintained a consistent aesthetic over the years, with some attributing his success to shrewd opportunism. His latest book, “Andy Warhol’s Exposures,” features snapshots of his famous acquaintances, reflecting the 1970s shift in art where celebrity became the focal point, rather than the medium itself. Warhol's social circles have evolved from the eccentric denizens of the 1960s to affluent fashion personalities and art dealers. The glamourous events surrounding him, such as a recent lunch celebrating his exhibition, are attended by prominent figures of contemporary culture. This shift highlights how his art mirrors the changing landscape of social values, moving from the avant-garde to the mainstream. The article reflects on Warhol's career and the dichotomy within art, as his creations are seen variously as serious artwork or as a commentary on consumerism and fame. The debate surrounding his relevance continues, but for now, Warhol remains a pivotal figure in the art world, embodying the intersection of celebrity culture and artistic expression.

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Publish Date:12th December 1979
URL:https://www.pridenz.com/paperspast_chp19791212_2_131.html