Simon Play Highlights American Sterility (Press, 9 July 1979)

The play "Last of the Red Hot Lovers," written by Neil Simon and directed by Bryan Aitken, is currently showing at The Court Theatre in Christchurch as of 9 July 1979. The production runs from 8 p.m. to 10.12 p.m. The reviewer, Howard McNaughton, offers a critical perspective on the play, noting its superficiality compared to the more profound works of Samuel Beckett, with whom Simon is being contrasted. While Simon's work is portrayed as a criticism of the sterility of the American dream through the character of Barney, a middle-aged fishmonger who explores infidelity, Beckett’s writing is described as questioning morbid themes rather than endorsing them. The review indicates that the first act effectively establishes a light comedic tone with Barney trying to break free from his 23-year marriage through various escapades. As the acts progress, Barney's experiences culminate in a more serious tone, particularly in the final act where failed attempts to connect with his wife highlight the disappointments of his character and life choices. The play transforms from comedy into a cautionary tale that carries a pessimistic view of relationships and self-worth. McNaughton notes that while the play’s comedic moments are plentiful, particularly in the first two acts, the transition to seriousness may vary for different audience members. He suggests that the majority might perceive it as a series of comedic episodes with a brief moment of seriousness at the end. The review praises the quality of acting, particularly the performances of Charles Hambling as Barney, Elizabeth Moody as his customer, and Judie Douglass in a challenging role as a melancholic character. However, he also mentions that the credibility of Douglass’s character is somewhat undermined by her costuming, which did not fit with her portrayal. In closing, the reviewer acknowledges that "Last of the Red Hot Lovers" is likely to appeal to those who enjoy Neil Simon's style, akin to previous successful productions by The Court Theatre like "Middle Age Spread" and "Absurd Person Singular." Overall, the review combines an appreciation for the performances while offering a critical lens on the themes and depth of the script itself.

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