Noel Coward Play Polished, Enjoyable (Press, 21 May 1979)

The Elmwood Players are presenting Noel Coward's play "A Song at Twilight," directed by Alison Alston, at the Fulton Avenue Playhouse from May 19 to 26, 1979. The production runs from 8 p.m. to 10:23 p.m. This play, which explores themes of homosexual betrayal, has generated mixed reviews concerning its relevance. Critics have argued that Coward was simply leveraging societal shifts from the permissive 1960s, potentially contradicting his earlier values. However, the reviewer argues that "A Song at Twilight" is a well-constructed work that remains true to traditional playwriting, focusing on various types of love without descending into obscenity. The play features only four characters and relies heavily on dialogue rather than action. It includes a lead role for a satirical writer, characterised as "complex and brilliant," whose cynical outlook is challenged by the resurfacing of past love letters. The character, portrayed with "indestructible elegance," was notably played by Coward himself in the 1966 world premiere. The New Zealand premiere features Mervyn Glue in the lead role, where his performance is highlighted for a commanding stage presence, despite not fully embodying the character's sexual ambiguities. James Jorgensen plays a minor yet significant role as a waiter, bringing subtlety to interactions between the two male characters. The two female roles are crucial in disrupting the writer's composure. Pauline Huggins portrays a visitor engaging in blackmail, blending conversational savvy with a humorous, crude charm. Beryl MacLeod plays the writer's German wife, capturing a transformation from a strict character to a more nuanced figure across the acts, showcasing her ability to develop character depth. The production also benefits from Brian Brodie's impressive set design, Alison Alston's costumes, and Helen Wilson's careful management of props, culminating in a polished and enjoyable theatre experience. Overall, the reviewer praises the performance as a commendable interpretation of Coward's work, capturing its essence and complexity while addressing contemporary themes.

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