Here Comes Summer (Press, 20 April 1978)

On 20 April 1978, a review was published highlighting several notable music albums of the time, showcasing the evolution of disco and the emergence of distinctive artists. The spotlight shone on Donna Summer's double-album "Once Upon A Time," which is framed as a modern retelling of the Cinderella fairy tale. The album, produced by Giorgio Moroder and Pete Bellote in Munich, West Germany, defies expectations by blending disco, soul, and elements of space rock, creating a unique soundscape. The review praises Summer’s artistic identity, noting the inclusion of non-disco tracks like "A Man Like You" and "Sweet Romance," which display her versatility. The album captures a grown-up fairy tale essence while maintaining a strong sexual element, marking it as a technical peak in disco. Kate Bush's debut album "The Kick Inside" garnered attention for its originality, exemplified by the hit single "Wuthering Heights." The 19-year-old artist's high-pitched vocals present a challenge for categorisation, as the album encapsulates various musical styles. Bush’s concern for her music as an artistic expression shines through, particularly in tracks like "The Saxophone Man" and "The Man With The Child In His Eyes," which were recorded with Pink Floyd’s Dave Gilmour. The album features distinctive lyrical content, and while Bush's romanticism dominates, she occasionally touches on erotic themes. Grace Jones made waves in the New York disco scene with her album "Portfolio." Originally a model, she gained fame as a singer following the release of "I Need A Man," which became a staple in chic beach resorts and within the gay disco community. Her extravagant persona is described in detail, highlighting her dynamic stage presence. The album contains notable tracks including a disco rendition of Edith Piaf's "La Vie En Rose" and "Send In The Clowns." The review commends the album as one of the better disco records of the time, praising the collaboration with the Sweethearts of Sigma, which adds depth to the music. Overall, the review reflects the diverse and evolving landscape of music in 1978, showcasing artists who push the boundaries of genres and establish their unique narratives within their work.

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