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Edwards Back On The Chopping Block (Press, 12 May 1975)

This is a Generative AI summary of this newspaper article. It may contain errors or omissions. Please note that the language in the summary is reflective of the original article and the societal attitudes of the time in which it was written.

Summary: Edwards Back On The Chopping Block (Press, 12 May 1975)

Brian Edwards made his much-anticipated return to television with the launch of "Edwards on Saturday" on 10 May 1975. His comeback has reignited discussions about his role as a host, drawing both supporters and detractors. Critics continue to view Edwards as a provocateur who enjoys creating discomfort for his guests, while others appreciate his capability to keep discussions alive and extract frank answers, especially in a live format that leaves little room for evasion. The inaugural episode featured a lively and potentially controversial discussion. Edwards opened with a pointed dialogue alongside his co-host Michael Dean, suggesting they aimed to engage viewers right from the start. The initial exchanges, including jabs at public figures such as M.P. John Kirk and the late Sir James Wattie, raised questions about the programme's tastefulness. Nonetheless, the subsequent segments, which tackled complex subjects like religion and homosexuality, were intended to spark robust conversation. Edwards, identifying as a "Protestant atheist," rigorously examined the views of his guest, Father Leo Close, demonstrating a commitment to candid dialogue. The discussion on homosexuality arguably stole the show, with Edwards pushing boundaries by asking probing questions, showcasing the courage of his guests who were willing to engage on such a sensitive topic. Despite the controversial nature of the discussions, the show was noted for its quality production value and entertainment, likening its format to that of David Frost, incorporating audience participation to enhance its liveliness. The episode also featured musical acts, comedic performances, and poetry, contributing to an energetic atmosphere. On the same night, viewers were introduced to the American series "The Six Million Dollar Man," which depicts a man converted through advanced surgical technology into a superhuman figure. While the programme may attract a younger audience with its sensational premise, there are doubts about its appeal to adults, who might find the narrative's realism lacking. Additionally, the Friday night show "Beryl’s Lot" received praise, proving to be a favourite among audiences, despite not being as strong as earlier episodes. The absence of a popular character in the latest episode, however, was noted as a drawback. A new weather presenter made her debut, receiving positive feedback for her clarity and professionalism. The classic film "Mrs Wiggs of the Cabbage Patch," broadcast on the same night, demonstrated enduring qualities despite its age, sparking nostalgia for older cinematic styles and featuring a memorable appearance by W. C. Fields. Finally, there were critical remarks about TVI's promotional strategies concerning long-running series, indicating viewer fatigue with repetitive marketing for shows that have already gained popularity. Overall, the new television landscape promises both lively discussions and a mix of nostalgia for classic programming.

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Publish Date:12th May 1975
URL:https://www.pridenz.com/paperspast_chp19750512_2_31.html