Points Of Viewing The Sentimental Side Of M.a.s.h. (Press, 25 July 1974)

On 25 July 1974, an article reviewed the upcoming comedy series featuring Diana Rigg, drawing comparisons to the well-regarded show “M.A.S.H.” The critic expressed doubt that Rigg's new show could match the humour and emotional depth that “M.A.S.H.” has consistently provided. “M.A.S.H.” has been praised for balancing hilarity with poignant moments when necessary. The criticism noted that the last episode aired contained fewer laughs than typical but was still impactful, showcasing various emotional contrasts. Viewers experienced a nostalgic outdoor concert juxtaposed with tense medical situations, reflective of the series' ability to intertwine comedy with serious themes. In addition to “M.A.S.H.,” the article discussed a segment from the current affairs programme "Nationwide," which covered aspects of Mr Ben Young’s private bill for homosexual law reform. The piece suggested that while the subject was relevant, its focus on potential political smear towards Young detracted from the necessary exploration of the bill itself. The critique pointed out a tendency in television journalism to labour on certain points, sometimes leading to unnecessary repetition rather than providing concise and informative content. Highlighting another television programme, “Nationwide” featured a song about Duncan McIntyre, which managed to provide a light critique of the N.Z.B.C.'s restrictions on comedy. The article also commended the script of “Callan,” highlighting it as an engaging and well-crafted episode featuring a more relatable and nuanced protagonist compared to James Bond. The script's attention to detail and characterisation received specific praise, notably in a tense scene which showcased emotional realism. The night of programming also included several other shows on the television schedule, indicating a mix of entertainment options for viewers, from news segments to dramas and comedies, reflecting the wide array of content available to audiences at that time. Ultimately, while Rigg’s new series was anticipated, the enduring appeal of “M.A.S.H.” and its unique blend of laughter and heartfelt storytelling remained a significant benchmark for comedic television.

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