Words Won T Be Whistled (Press, 9 May 1974)

The Women's Electoral Lobby (W.E.L.) has expressed strong opposition to Australia's newly adopted national anthem, "Advance Australia Fair," arguing that its wording is exclusive and inappropriate for all Australians. A W.E.L. spokeswoman pointedly stated that the anthem, particularly its opening line "Australia's sons let us rejoice," is only suitable for those who identify with male chauvinism. They questioned how young girls could relate to being called "Australia's sons," branding it a reflection of the "invisible woman" syndrome. In response to W.E.L.'s criticisms, Newcastle plans to modify the line to "Australians all," while New South Wales has chosen to retain "God Save the Queen" for formal occasions, stating their intent to stick with the traditional anthem. Despite protests from various groups, the Australian Government has maintained that it will not change the lyrics of "Advance Australia Fair," insisting that the melody is the principal focus and that the words are available for those who want to use them. Critics highlight that the lyrics do not resonate with a significant portion of the population, including migrants, the elderly, the poor, and the imprisoned, suggesting that only a narrow demographic may feel represented. The anthem's references to British heritage and figures like Captain Cook have further alienated some Australians, with a taxi driver noting its preference for British identity over local sentiment. Shifting away from the anthem, the article also discusses a cultural trend in Australia, highlighting a resurgence of nostalgia in the arts. Upcoming productions include a lavish revival of the 1920s musical "Irene," which features Julie Anthony in the lead role, and the humorous play "The Front Page" from the same era. The Sydney Film Festival will celebrate classic films, reminiscent of the 1930s, including a range of beloved movies and a nostalgic theatrical experience with old-time glamour. The article suggests that Australians are currently drawn to nostalgic entertainment rather than the national anthem, which for many may not hold personal significance. This wave of nostalgia encompasses revived matinees showcasing beloved classics and a focus on cultural memory, indicating a broader shift in public sentiment away from the newly adopted national symbols towards celebrating older, cherished artistic expressions. Overall, the piece captures both the controversy surrounding the national anthem and the ongoing trend of nostalgic revival in Australian culture.

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