Selections From The New Fiction Lists (Press, 15 April 1972)

The review published on 15 April 1972 discusses several notable books. The first, "Three" by Sylvia Ashton Warner, revolves around a New Zealand mother who travels to London after her son Julian contracts a virus. As her son begins to recover, he is joined by his French wife, Angelique. The narrative explores the complex relationships between the three as they navigate emotional tensions and a significant generation gap, with Julian expressing disdain for emotionalism, while his mother grapples with her intense feelings for him, and Angelique embodies a carefree lifestyle that frustrates her mother-in-law. Next is Mary Scott's "I Don't Who Will?" featuring Laura Howard, a recently married woman facing the challenges of managing her grandmother's estate, wherein her selfish cousins reside. Laura's husband, Derek, struggles with the intrusions of her relatives, and an experienced aunt provides guidance as the family dynamics unfold. The novel is acknowledged for its amusing dialogue and vivid portrayal of New Zealand rural life. In "Left for Dead" by Jane White, the protagonist Eve Cresset suffers from the traumatic aftermath of her brutal rape, which leaves her with amnesia and pregnant. The story explores her psychological turmoil as she relives her memories, eventually recalling the assault as her attacker is apprehended. Eve's conflicting emotions and relationships, particularly with a lesbian friend, contribute to the narrative's complexity. James Barlow's controversial novel "In All Good Faith" advocates for broader abortion rights through the story of a young doctor in Hobart. When faced with the ethical dilemma of a friend seeking an abortion and subsequent tragedies arising from failed medical guidance, Truscott's actions lead to a trial that exposes the medical community's challenges regarding abortion laws. "Tomorrow's Fortune" by Kathleen Conlan unravels over four days as the lives of David, Emma, Geraldine, and Patrick intersect during a snowstorm. The characters navigate complicated relationships, infidelity, and the distancing effects of personal secrets, particularly Emma's deceitful actions and the aftermath of her choices. Moira Burgess's "The Day Before Tomorrow" is set in a Glasgow slum, chronicling the Sheehan and Brady families against a backdrop of community turmoil and personal struggles. With a sex maniac threatening the neighbourhood, the narrative intertwines various characters, showcasing their resilience amid adversity. Lastly, "The Towers of Silence" by Paul Scott, the third book in a series, presents a contemplative exploration of life in India during significant historical shifts. The story centres on Miss Barbara Batchelor and her evolving relationship with Mabel Layton, encompassing themes of friendship and the invading repercussions of war. In "A Little Murder Music" by Diana Ramsay, the story unfolds within a New York orchestra that becomes embroiled in a murder mystery following the conductor's assassination during a performance. The investigation reveals the hidden tensions and conflicts within the ensemble, culminating in a dramatic confrontation with the truth. Each review highlights the authors' unique storytelling styles and the intricate themes of relationship dynamics, moral dilemmas, societal issues, and personal growth woven throughout the narratives.

The text on this page is created, in the most part, using Generative AI and so may contain errors or omissions. It is supplied to you without guarantee or warranty of correctness. If you find an error or would like to make a content suggestion please get in contact

The text on this page is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 New Zealand