Startling Improvement Shown By "section 7” (Press, 29 March 1972)

The New Zealand Broadcasting Corporation's drama series "Section 7" was initially perceived as a failure, but a shift occurred following the airing of "The Applicant" on Monday night, 27 March 1972. This episode, written by Michael Noonan, proved to be the strongest of the series, showcasing a compelling storyline with purpose and clarity. The performances in this episode were significantly enhanced, particularly that of Ewen Solon, who portrayed a judicious and firm character during two critical interviews. Jeremy Stephens, playing the Rev. Michael McLachlan, delivered a natural and eloquent performance, effectively conveying his character's internal conflict regarding a personal sin. Stephen Gordon, as Alan Cole—a man who faced societal rejection after serving time for a homosexual offence—was also commendable, although there were some technical flaws, such as inadequate sound quality and weaker portrayals in minor roles. One notable performance was by Valerie Lawson, who played Angela McLachlan, the disillusioned wife of the minister. Despite having a limited scene, her portrayal was quite effective. The episode benefited from careful direction, particularly in quick cuts that contrasted the troubled Cole with the more confident applicant. The use of camera work at a construction site added visual interest. In addition to "Section 7," the overview also highlights another segment called "A Personal Affair." Starring Leslie Sands, John Aiderton, and Ann Castle, this piece delivered strong and engaging drama, making the most of the demanding roles. A documentary titled "A Nice Sort of Accident to Have" also aired, examining safety standards in motor vehicles and on roads, revealing that 85 per cent of road accidents were attributed to driving behaviour rather than physical road conditions. This programme was noted for its dispassionate presentation of the research relating to driving safety equipment and offered valuable insights. Rodney Bryant's presence as a frontman on "The South Tonight" was also positively reviewed, with his engaging presentation style and genuine interest in the material coming through strongly. Overall, the recent broadcasts were appreciated for their improvement in quality and depth, marking a notable turn for the series and its associated programmes.

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