An 18th Century Transvestite (Press, 23 January 1971)

The book "Memoirs of the Chevalier D’Eon" by Frederic Gaillardet, translated by Antonia White and featuring an introduction and notes by Dr Robert Bakfick, presents a biography of Le Chevalier D’Eon, a notable figure from eighteenth century France during the reign of Louis XV. Gaillardet describes this era as one dominated by scandal and debauchery. However, while he emphasises the historical authenticity of the account, his portrayal of D’Eon often edges towards melodrama, romanticising the subject's life to the point of distorting factual accuracy. Le Chevalier D’Eon, who lived the majority of his life in feminine clothing despite being born and dying male, is depicted as a somewhat tragic and objectionable character. His slight physique allowed him to convincingly pass as a woman, and although he is thought to have been impotent throughout his life, Gaillardet contests this notion, suggesting D’Eon used his female disguise to seduce various women. Among these were notable figures such as the Empress Elizabeth of Russia, and a possibly fictional character named Nadejda Stein, who the author claims was D’Eon's true love. Another intriguing aspect of D’Eon’s life is the suggestion that he could have been the father of George IV, stemming from an encounter with the future Queen Sophia-Charlotte when she was just 15. The narrative of D’Eon's life is woven into a broader context of political intrigue during the reigns of Louis XV and Louis XVI, illustrating the complexities and deceptions prevalent in the European courts of the time. Gaillardet’s portrayal paints D’Eon as a character often on the defensive, and deserving of his misfortunes, with moments of likability emerging primarily from events in which he was not actively involved. The writing style of Gaillardet is noted for its extended metaphors, which while clever, sometimes become excessive and tedious. His views on sex in literature reflect a common sentiment of the nineteenth century, leading to a depiction of the topic that comes across as excessively cautious. Ultimately, the value of "Memoirs of the Chevalier D’Eon" seems limited, primarily serving as a resource for historians or readers inclined towards romantic narratives rather than providing a straightforward account of D’Eon’s life and times. The book presents a curious blend of historical fact and imaginative embellishment, making it a complicated read for those seeking clarity on its subject matter.

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