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N.z. Actress In Hollywood Role (Press, 28 December 1968)

This is a Generative AI summary of this newspaper article. It may contain errors or omissions. Please note that the language in the summary is reflective of the original article and the societal attitudes of the time in which it was written.

Summary: N.z. Actress In Hollywood Role (Press, 28 December 1968)

Miss Rosalie Williams, a former nurse from Christchurch, has found significant success in Hollywood with her role as a “very bitchy and bossy Australian” in the controversial film, "The Killing of Sister George." This film explores the lives and homosexual relationships of women working in a television hospital series. Williams plays an assistant to the producer character, Mercy, portrayed by Australian actress Coral Browne. To embody her character, she has adopted a broad Australian accent, and her nearly six-foot frame has been padded for the role, while her hair is cropped and bleached. Despite some criticism of the film's sensationalism from director Bob Aldrich, Williams supports the film's intentions, believing it serves to inform audiences, particularly parents, about issues often hidden from view. The film has sparked conversations, and she hopes it will generate additional acting opportunities for her. Williams noted that filming involved closed sets for explicit love scenes, notably shot at a lesbian club in London, where real club members served as extras. Williams expressed confidence in her role, not worrying about public perception. She believes authenticity in performance is important, asserting she would take on a nude scene if it suited the character. The film has been well-received, showing to full houses, and she enjoyed working under Aldrich, whom she described as a "marvellous director" with a deep understanding of actors. Her path to Hollywood began when the casting director for 20th Century Fox discovered her during a Las Vegas revue. Initially, she worked in private nursing while seeking acting representation, highlighting a pragmatic attitude toward her rise in the industry. Williams rejected the notion of attending Hollywood parties to gain fame, stating that hard work, talent, and a professional approach are necessary for respect in the business. Living in Los Angeles has its challenges; she mentioned the adverse effects of smog, which makes her feel tired and irritable. While she finds solace in performances in locations such as Hawaii and Lake Tahoe, she also advocates for better control of air quality in Los Angeles. Williams's journey in performing arts began in Australia in 1957, leading her to London where she trained in drama and dance. Her career included a stint with the Bluebell Girls in Paris and Las Vegas, gaining recognition for her involvement in a "topless" revue. Although she enjoys serious acting, she acknowledges that romantic lead roles have not been offered to her, candidly stating she does not see herself as the archetypal glamorous leading lady. She remains aware of the dark side of show business, having witnessed the downfall of friends in the industry. To maintain perspective, Williams consciously carves out time for relaxation, finding gardening particularly soothing. Her friendship circle includes those from outside entertainment, though she is also connected to several well-known figures in Hollywood.

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Publish Date:28th December 1968
URL:https://www.pridenz.com/paperspast_chp19681228_2_12_3.html