Gloomy Forecast, But Swingers Still Wave Flag (Press, 20 December 1967)

In December 1967, London faced alarming revelations about its geography and public health. It was disclosed that the city is sinking at an annual rate of 13 inches, resulting in it being 15 feet lower than during Roman times. This winter, concerns were raised about the swollen Thames potentially overflowing its banks, threatening to inundate central London and its underground tunnels, which could lead to catastrophic consequences for thousands, including the Houses of Parliament. This scenario comes amidst a backdrop of significant turmoil across Britain. The countryside has witnessed a devastating outbreak of foot-and-mouth disease, leading to the slaughter of over 220,000 cattle and sheep in a desperate bid to contain the crisis. The resulting desolation has seen rural areas become eerily empty, with public spaces closed and gatherings banned. The nation grapples with broader issues such as economic devaluation, a withdrawal from conflict in Aden, and the spectre of Scottish and Welsh independence movements. French President Charles de Gaulle has also continuously obstructed Britain’s attempts to join the European Economic Community. The overall sentiment reflects a nation teetering on the brink of decline. Despite these challenges, London continues its vibrant cultural shift, particularly symbolised by contrasting neighbourhoods. Regent Street's Christmas decorations showcase a fantasy-like Disney theme, while nearby Carnaby Street features avant-garde, pop-art displays that resonate with the rebellious spirit of the youth. The juxtaposition highlights a growing cultural divide within Britain, encapsulated in a newfound obsession with the Union Jack that has emerged amid the waning days of the British Empire. Flags are ubiquitous in shops and on merchandise, flaunted in ways that reflect a modish yet ironic pride. Style trends epitomise this cultural upheaval, with London’s youth embracing increasingly unconventional fashion that skews traditional gender norms. Men adopt flamboyant styles while women’s fashion appears to fluctuate between camp and militaristic influences, with thigh-high boots becoming a prevalent obsession. Underneath this seemingly confident exterior, however, Britain is beset with a resurgence of anti-World War II sentiment, challenging the long-held view of the conflict as a valiant struggle. This sentiment is evident in recent media productions, like Richard Lester's film "How I Won the War," which critiques British militarism, and other works questioning the war's legitimacy. In theatre, Joan Littlewood's provocative “Mrs Wilson’s Diary” directly targets the current political leadership, reflecting broader discontent. These evolving cultural expressions attract diverse audiences, indicating a societal shift that unites the traditional with the radical. While the ghosts of Old Britain endure, the public's appetite for change is palpable. As London swings into a new era, it starkly contrasts with the turbulent events shaping the British landscape, presenting a nation grappling with its identity amid unfolding chaos.

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