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Theatre On Thin Ice (Press, 1 March 1958)

This is a Generative AI summary of this newspaper article. It may contain errors or omissions. Please note that the language in the summary is reflective of the original article and the societal attitudes of the time in which it was written.

Summary: Theatre On Thin Ice (Press, 1 March 1958)

An article from "The Times" published on 1 March 1958 discusses the evolving landscape of theatre in London, noting a shift in the types of subjects and characters being presented on stage. Several contemporary plays tackle themes that would have previously faced censorship, highlighting a broader acceptance of controversial topics. The article references the role of the Lord Chamberlain, who historically exercised editorial control over theatrical content. While he may now permit more liberal interpretations of classic works, there remains a cautionary note regarding unrestricted freedom in theatre. The piece acknowledges that while some new plays feature characters from various social issues—such as alcoholism and homosexuality—that might have been excluded in the past, the implications of their inclusion are not straightforward. The author questions whether this liberality is beneficial, suggesting that an unfiltered stage may lead to a lack of substance and mere sensationalism. The nostalgia for a time when limitations may have spurred creativity is evident, suggesting that constraints may enhance the quality of artistic expression. The article also reflects on the impact of modern trends in literature and theatre, indicating that while censorship has eased, the outcome has not universally improved the quality of storytelling or dramatic presentation. The discussion concludes with the idea that a thoughtful approach to what is deemed acceptable on stage may prove crucial for playwrights who aspire to lasting success beyond immediate commercial gains.

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Publish Date:1st March 1958
URL:https://www.pridenz.com/paperspast_chp19580301_2_16.html