The Opera. (Press, 9 January 1872)

On 9 January 1872, the performance of Giovanni Pacini's opera "Saffo" at the Teatro San Carlos in Naples was discussed in a review. The opera, first performed in 1840, revolves around the tragic tale of the famous poetess Sappho, whose intense love for Phaon leads to a poignant narrative. Despite its relatively low profile in contemporary lyric repertoire, "Saffo" remains a staple in Italian operatic venues. The review highlights the opera’s rich musical composition, describing how Pacini has successfully captured the spirit of Sappho's passionate and emotional story through his music. The review commends various musical elements, including the prelude "Divini Carmi" and the striking duet in the second act between Sappho and Climene, which features the line "Di quai soavi lagrime." This duet was particularly praised for its beautiful execution by the lead singers, Signora Zenoni and Signora Polli, whose vocal blend of soprano and contralto created a captivating experience. Signora Zenoni's portrayal of Sappho received special acclaim, especially for her entrance as the "queen of song" and her performance in the duet with Phaon, "Quando il mio cal de genio." Additionally, her emotional delivery in the finale scene "Ai mortaie o crudo ai numa" drew significant applause from the audience. The review also notes her powerful performance in the final act, where Sappho, in a moment of emotional turmoil, sings the nuptial hymn for Phaon and Clymene, resulting in another ovation. Signora Polli's contribution as Clymene was equally noteworthy, with commendations for her dramatic interpretations and her singing of the cavatina "Ah non lvi., mi fa rapita." She also received cheers from the audience at the opera's conclusion, highlighting her impressive stage presence. Supporting roles were also praised, particularly Signor Filippo Coliva as Alcandro, Sappho's father, who demonstrated significant vocal prowess and emotional depth in his scenes. Signor Rosnati, portraying Phaon, was noted for his passionate delivery, especially in the aria "Ah giusta pena in colse," where he laments Sappho's tragic fate. The review further acknowledges the contributions of various musicians, admiring the clarinet solo by Mr Howard and the double bass performance by an unnamed accomplished player. The staging, designed by Mr Massey and Mr Varley, received compliments as well, specifically for the depiction of an amphitheatre and significant scenic elements relating to the opera's setting in ancient Greece. Despite the commendable aspects of the performance and the talent displayed, the review reflects disappointment regarding the attendance, indicating that the audience did not fully appreciate the quality of the show.

The text on this page is created, in the most part, using Generative AI and so may contain errors or omissions. It is supplied to you without guarantee or warranty of correctness. If you find an error or would like to make a content suggestion please get in contact

The text on this page is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 New Zealand

sappho