In this podcast we speak to members of The Glamaphones and co. before their concert at St. Andrew's on the Terrace celebrating 30 years of homosexual law reform.
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This summary encapsulates the essence of an inspiring and reflective podcast recorded at St Andrew's on the Terrace in Wellington, where the members of The Glamaphones and others convened for a concert celebrating the 30th anniversary of homosexual law reform. The duration of the recording is 31 minutes, capturing interviews and discussions revolving around the historic event.
The podcast kicks off with Pat McIntosh, producer for The Glamaphones, describing the vibrant rainbow-themed decor of St. Andrew's and the choir's preparation for the concert. They speak about the significant effort that went into gathering a visual accompaniment for the concert, which included sourcing unseen images, posters, and digitizing archive material to be displayed throughout the performance.
The Glamaphones, a robust rainbow choir of 50-60 members, prides itself on inclusivity with no auditions and a mix of different ages, celebrating community and friendship through music. As a highlight of the concert, a newly commissioned piece by Gareth Farr was performed, capturing the hardships faced by the LGBTQ+ community during the law reform era.
Several interviewees shared personal reflections on the importance of the event. One, who had joined the choir shortly after the bill's passing, shared their emotional journey and the significance of being able to present those historical moments through music. For others, the concert represented a milestone in recognizing the progress made over the past 30 years, while also acknowledging there is still a lot more to achieve for complete equality.
The conversation also touched upon the tragedy in Orlando, Florida, bringing a poignant reminder of the ongoing struggles for safety and acceptance in the LGBTQ+ community. Despite the sombre backdrop, the interviewees hoped that the concert conveyed a powerful message of love, resilience, and the continuous struggle for equality.
Moreover, interviewees expressed the unique joy and fellowship found in singing with The Glamaphones. It was clear that the choir was more than just a singing group; it provided a sense of identity, belonging, and support, allowing individuals to express themselves honestly without judgment.
Finally, the podcast mentions the future performance at Parliament buildings, marking a significant moment of bringing the choir's message of love and historical reflection into a political and national venue.
This summary is created using Generative AI. Although it is based on the recording's transcription, it may contain errors or omissions. Click here to learn more about how this summary was created.
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1980s, 2010s, activism, anti-gay laws, aotearoa new zealand, archives, army, asia pacific outgames (2011), brent coutts, cathie teague, celebration, choirs, coming out, community, community choir, composition, david hindley, digitisation, during these days (composition), during these days (poem), emotional, equality, flags, friends, gareth farr, gay men's chorus, gerard wood, graeme austin, grand hall, hamish allardice, hate, hate crime, homophones (wellington), homosexual law reform, human rights, inclusion, kirsty farrant, laura greenfield, lesbian and gay archives of new zealand (laganz), linda evans, london, love, mark beehre, marriage amendment act (2012), marriage equality, music, musical repertoire, naming ourselves (poem), new zealand army, new zealand defence force (nzdf), new zealand symphony orchestra, orlando (florida, usa), orlando mass killing (2016), parliament buildings, pat mcintosh, philip patston, phoenix up, poetry, posters, pridenz.com, protest, pulse nightclub (orlando, usa), rachel hyde, reclaim, roger swanson, scrapbook, singing, solidarity with orlando candlelight vigil (wellington), stella duffy, support, the glamaphones, theatre, united kingdom, united states of america, wellington, wellington city council
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